Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/21744
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dc.contributor.authorFreathy, Paulen_UK
dc.contributor.authorThomas, Irisen_UK
dc.date.accessioned2015-05-07T23:48:04Z-
dc.date.available2015-05-07T23:48:04Z-
dc.date.issued2015en_UK
dc.identifier.urihttp://hdl.handle.net/1893/21744-
dc.description.abstractWhile the concept of authenticity is commonly linked to the market exchange process, it also assists in the pursuit of political, social and economic objectives. Authenticity provides a legitimating function that serves the needs of specific groups and individuals. Establishing authenticity remains culturally and contextually dependent and requires an understanding of prevailing power relationships and historical events. This is demonstrated by reference to a series of sixteenth and seventeenth century images of retailing and the marketplace. Using iconological interpretive techniques, the paper identifies how works of art served a propagandist role designed to influence and modify public opinion. Developments in both production and consumption led to a commodification of artistic works and afforded a means of communication that both challenged and empowered established institutions. The paper highlights the contemporary significance of these findings and suggests that modern marketing imagery may seek to authenticate socio-political as well as economic meaning.en_UK
dc.language.isoenen_UK
dc.publisherTaylor and Francisen_UK
dc.relationFreathy P & Thomas I (2015) Marketplace metaphors: communicating authenticity through visual imagery. Consumption, Markets and Culture, 18 (2), pp. 178-194. https://doi.org/10.1080/10253866.2014.968756en_UK
dc.rightsThis item has been embargoed for a period. During the embargo please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. This is an Accepted Manuscript of an article published by Taylor & Francis Group in Consumption Markets & Culture on 29/10/2014, available online: http://www.tandfonline.com/10.1080/10253866.2014.968756.en_UK
dc.subjectAuthenticityen_UK
dc.subjectIconologyen_UK
dc.subjectArten_UK
dc.subjectRetailen_UK
dc.subjectGenre paintingen_UK
dc.subjectSymbolismen_UK
dc.titleMarketplace metaphors: communicating authenticity through visual imageryen_UK
dc.typeJournal Articleen_UK
dc.rights.embargodate2016-04-30en_UK
dc.rights.embargoreason[STORRE.pdf] Publisher requires embargo of 18 months after formal publication.en_UK
dc.identifier.doi10.1080/10253866.2014.968756en_UK
dc.citation.jtitleConsumption, Markets and Cultureen_UK
dc.citation.issn1477-223Xen_UK
dc.citation.issn1025-3866en_UK
dc.citation.volume18en_UK
dc.citation.issue2en_UK
dc.citation.spage178en_UK
dc.citation.epage194en_UK
dc.citation.publicationstatusPublisheden_UK
dc.citation.peerreviewedRefereeden_UK
dc.type.statusAM - Accepted Manuscripten_UK
dc.author.emailjpf1@stir.ac.uken_UK
dc.citation.date29/10/2014en_UK
dc.contributor.affiliationMarketing & Retailen_UK
dc.contributor.affiliationFife Collegeen_UK
dc.identifier.isiWOS:000350893200004en_UK
dc.identifier.scopusid2-s2.0-84908350137en_UK
dc.identifier.wtid599820en_UK
dcterms.dateAccepted2014-10-29en_UK
dc.date.filedepositdate2015-05-07en_UK
rioxxterms.apcnot requireden_UK
rioxxterms.typeJournal Article/Reviewen_UK
rioxxterms.versionAMen_UK
local.rioxx.authorFreathy, Paul|en_UK
local.rioxx.authorThomas, Iris|en_UK
local.rioxx.projectInternal Project|University of Stirling|https://isni.org/isni/0000000122484331en_UK
local.rioxx.freetoreaddate2016-04-30en_UK
local.rioxx.licencehttp://www.rioxx.net/licenses/under-embargo-all-rights-reserved||2016-04-29en_UK
local.rioxx.licencehttp://www.rioxx.net/licenses/all-rights-reserved|2016-04-30|en_UK
local.rioxx.filenameSTORRE.pdfen_UK
local.rioxx.filecount1en_UK
local.rioxx.source1025-3866en_UK
Appears in Collections:Marketing and Retail Journal Articles

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