Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/37256
Appears in Collections:Literature and Languages Journal Articles
Peer Review Status: Refereed
Title: Dressing, Undressing and Redressing: Costuming Identities in Fernando León de Aranoa's El buen patrón (2021)
Author(s): Collins, Jacqueline
Gilligan, Sarah
Contact Email: jacqueline.collins@stir.ac.uk
Keywords: Masculinities
costume
Twenty-first century Spanish Cinema
Fernando Leon de Aranoa
El buen patron
Fernando Garcia
Menswear
Patriarchy/partriarchalism
Javier Bardem
Issue Date: 11-Jul-2025
Date Deposited: 28-Mar-2025
Citation: Collins J & Gilligan S (2025) Dressing, Undressing and Redressing: Costuming Identities in Fernando León de Aranoa's El buen patrón (2021). <i>Bulletin of Spanish Visual Studies</i>. https://doi.org/10.1080/24741604.2025.2504258
Abstract: Adopting an interdisciplinary approach drawing from film, fashion and cultural studies, this article examines the in8ersectional representation of the gendered dynamics of power, status and authority in Fernando León de Aranoa's 2021 Goya award winning corporate satire El buen patrón (The Good Boss). Through the close visual analysis of the costuming by designer Fernando García, we argue that dressing, undressing, and redressing function to visualise the ways that the illusionary stability of patriarchal power is constructed, destabilised and reconfigured in the shifting social contexts of contemporary post-Franco Spanish culture.
DOI Link: 10.1080/24741604.2025.2504258
Rights: © 2025 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. The terms on which this article has been published allow the posting of the Accepted Manuscript in a repository by the author(s) or with their consent.
Licence URL(s): http://creativecommons.org/licenses/by-nc-nd/4.0/

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