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Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/37256
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dc.contributor.authorCollins, Jacquelineen_UK
dc.contributor.authorGilligan, Sarahen_UK
dc.date.accessioned2025-07-23T00:19:26Z-
dc.date.available2025-07-23T00:19:26Z-
dc.date.issued2025-07-11en_UK
dc.identifier.urihttp://hdl.handle.net/1893/37256-
dc.description.abstractAdopting an interdisciplinary approach drawing from film, fashion and cultural studies, this article examines the in8ersectional representation of the gendered dynamics of power, status and authority in Fernando León de Aranoa's 2021 Goya award winning corporate satire El buen patrón (The Good Boss). Through the close visual analysis of the costuming by designer Fernando García, we argue that dressing, undressing, and redressing function to visualise the ways that the illusionary stability of patriarchal power is constructed, destabilised and reconfigured in the shifting social contexts of contemporary post-Franco Spanish culture.en_UK
dc.language.isoenen_UK
dc.publisherTaylor and Francis Groupen_UK
dc.relationCollins J & Gilligan S (2025) Dressing, Undressing and Redressing: Costuming Identities in Fernando León de Aranoa's El buen patrón (2021). <i>Bulletin of Spanish Visual Studies</i>. https://doi.org/10.1080/24741604.2025.2504258en_UK
dc.rights© 2025 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. The terms on which this article has been published allow the posting of the Accepted Manuscript in a repository by the author(s) or with their consent.en_UK
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/en_UK
dc.subjectMasculinitiesen_UK
dc.subjectcostumeen_UK
dc.subjectTwenty-first century Spanish Cinemaen_UK
dc.subjectFernando Leon de Aranoaen_UK
dc.subjectEl buen patronen_UK
dc.subjectFernando Garciaen_UK
dc.subjectMenswearen_UK
dc.subjectPatriarchy/partriarchalismen_UK
dc.subjectJavier Bardemen_UK
dc.titleDressing, Undressing and Redressing: Costuming Identities in Fernando León de Aranoa's El buen patrón (2021)en_UK
dc.typeJournal Articleen_UK
dc.identifier.doi10.1080/24741604.2025.2504258en_UK
dc.citation.jtitleBulletin of Spanish Visual Studiesen_UK
dc.citation.issn2474-1612en_UK
dc.citation.issn2474-1604en_UK
dc.citation.peerreviewedRefereeden_UK
dc.type.statusVoR - Version of Recorden_UK
dc.author.emailjacqueline.collins@stir.ac.uken_UK
dc.citation.date11/07/2025en_UK
dc.contributor.affiliationSpanishen_UK
dc.contributor.affiliationNorthumbria Universityen_UK
dc.identifier.wtid2091396en_UK
dc.date.accepted2025-01-08en_UK
dcterms.dateAccepted2025-01-08en_UK
dc.date.filedepositdate2025-03-28en_UK
rioxxterms.apcunknownen_UK
rioxxterms.versionVoRen_UK
local.rioxx.authorCollins, Jacqueline|en_UK
local.rioxx.authorGilligan, Sarah|en_UK
local.rioxx.projectInternal Project|University of Stirling|https://isni.org/isni/0000000122484331en_UK
local.rioxx.freetoreaddate2025-07-15en_UK
local.rioxx.licencehttp://creativecommons.org/licenses/by-nc-nd/4.0/|2025-07-15|en_UK
local.rioxx.filenameDressing Undressing and Redressing Costuming Identities in Fernando Le n de Aranoa s El buen patr n 2021 .pdfen_UK
local.rioxx.filecount1en_UK
local.rioxx.source2474-1612en_UK
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