Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/33353
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dc.contributor.authorChoi, Hwanhoen_UK
dc.contributor.authorBurnes, Bernarden_UK
dc.date.accessioned2021-09-24T00:00:17Z-
dc.date.available2021-09-24T00:00:17Z-
dc.date.issued2022-03-01en_UK
dc.identifier.urihttp://hdl.handle.net/1893/33353-
dc.description.abstractDrawing on concepts of institutional work, legitimacy, and institutional logics, we investigate why countercultural markets experience institutional change and the actions institutional work market actors perform to inform institutional logics and ensure the legitimacy of countercultural markets. Although previous research suggests market changes and disruption, little attention has been paid to markets that originate from different institutional backgrounds, changes in the market experience in relation to its legitimization, and institutional work to attain legitimacy. The case of indie music in South Korea illustrates the evolution of a cultural market from the introduction of its ethos, the crisis caused by legitimacy pressures, and the transformation of the market. Using data gathered through in-depth interviews with indie labels and music consumers in South Korea, and archival sources, our research illuminates the source of market struggle and theorizes approaches that market actors perform to overcome the struggle.en_UK
dc.language.isoenen_UK
dc.publisherSAGE Publicationsen_UK
dc.relationChoi H & Burnes B (2022) Market Legitimation in Countercultural Market Change. Marketing Theory, 22 (1), pp. 41-65. https://doi.org/10.1177/14705931211056055en_UK
dc.rightsBurnes B & Choi H, Market Legitimation in Countercultural Market Change, Marketing Theory, 22 (1), pp. 41-65. Copyright © The Authors 2021. Reprinted by permission of SAGE Publications. Reuse is restricted to non-commercial and no derivative uses. DOI: https://doi.org/10.1177/14705931211056055en_UK
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/en_UK
dc.subjectinstitutional theoryen_UK
dc.subjectcountercultureen_UK
dc.subjectlegitimationen_UK
dc.subjectmarket dynamicsen_UK
dc.subjectpopular musicen_UK
dc.titleMarket Legitimation in Countercultural Market Changeen_UK
dc.typeJournal Articleen_UK
dc.identifier.doi10.1177/14705931211056055en_UK
dc.citation.jtitleMarketing Theoryen_UK
dc.citation.issn1741-301Xen_UK
dc.citation.issn1470-5931en_UK
dc.citation.volume22en_UK
dc.citation.issue1en_UK
dc.citation.spage41en_UK
dc.citation.epage65en_UK
dc.citation.publicationstatusPublisheden_UK
dc.citation.peerreviewedRefereeden_UK
dc.type.statusAM - Accepted Manuscripten_UK
dc.citation.date10/12/2021en_UK
dc.contributor.affiliationAjou Universityen_UK
dc.contributor.affiliationManagement, Work and Organisationen_UK
dc.identifier.isiWOS:000730296100001en_UK
dc.identifier.scopusid2-s2.0-85121389601en_UK
dc.identifier.wtid1757681en_UK
dc.date.accepted2021-09-23en_UK
dcterms.dateAccepted2021-09-23en_UK
dc.date.filedepositdate2021-09-23en_UK
rioxxterms.apcnot requireden_UK
rioxxterms.typeJournal Article/Reviewen_UK
rioxxterms.versionAMen_UK
local.rioxx.authorChoi, Hwanho|en_UK
local.rioxx.authorBurnes, Bernard|en_UK
local.rioxx.projectInternal Project|University of Stirling|https://isni.org/isni/0000000122484331en_UK
local.rioxx.freetoreaddate2021-09-23en_UK
local.rioxx.licencehttp://creativecommons.org/licenses/by-nc-nd/4.0/|2021-09-23|en_UK
local.rioxx.filenameBurnesMT2021V2.pdfen_UK
local.rioxx.filecount1en_UK
local.rioxx.source1741-301Xen_UK
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