|Appears in Collections:||Literature and Languages Journal Articles|
|Peer Review Status:||Refereed|
|Title:||Tren de sombras: memory, genre and film technology|
|Keywords:||Tren de sombras|
Guerín, José Luis
|Citation:||Davies A (2019) Tren de sombras: memory, genre and film technology. Quarterly Review of Film and Video, 36 (2), pp. 87-103. https://doi.org/10.1080/10509208.2018.1486114|
|Abstract:||José Luis Guerín’s early film Tren de sombras (1997) is used in this paper to question the role of genre and film technology in the discourses of memory commonly claimed for contemporary Spanish cinema production. Technology works in combination with the demands of genre (primarily the Gothic but also mockumentary and found footage), to problematise the connection between technology and the recording of the past. The fragile and deteriorating film stock of Tren de sombras becomes a microcosm of the capacity of film technology to collapse under the burden it is charged with: capturing the spectral illusion of memory amid multiple narratives. This paper ultimately argues that the Gothic genre, together with the technological implications of memory recuperation, obscures rather than preserves memory and demonstrates that memory is always subject to the demands of genre frameworks.|
|Rights:||This item has been embargoed for a period. During the embargo please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. This is an Accepted Manuscript of an article published by Taylor & Francis Group in Quarterly Review of Film and Video on 25 Mar 2019, available online: http://www.tandfonline.com/10.1080/10509208.2018.1486114|
|Davies tren de sombras.pdf||Fulltext - Accepted Version||359.35 kB||Adobe PDF||View/Open|
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