Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/27379
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dc.contributor.authorDavies, Annen_UK
dc.date.accessioned2018-06-14T16:27:57Z-
dc.date.available2018-06-14T16:27:57Z-
dc.date.issued2019en_UK
dc.identifier.urihttp://hdl.handle.net/1893/27379-
dc.description.abstractJosé Luis Guerín’s early film Tren de sombras (1997) is used in this paper to question the role of genre and film technology in the discourses of memory commonly claimed for contemporary Spanish cinema production. Technology works in combination with the demands of genre (primarily the Gothic but also mockumentary and found footage), to problematise the connection between technology and the recording of the past. The fragile and deteriorating film stock of Tren de sombras becomes a microcosm of the capacity of film technology to collapse under the burden it is charged with: capturing the spectral illusion of memory amid multiple narratives. This paper ultimately argues that the Gothic genre, together with the technological implications of memory recuperation, obscures rather than preserves memory and demonstrates that memory is always subject to the demands of genre frameworks.en_UK
dc.language.isoenen_UK
dc.publisherTaylor & Francis (Routledge)en_UK
dc.relationDavies A (2019) Tren de sombras: memory, genre and film technology. Quarterly Review of Film and Video, 36 (2), pp. 87-103. https://doi.org/10.1080/10509208.2018.1486114en_UK
dc.rightsThis item has been embargoed for a period. During the embargo please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. This is an Accepted Manuscript of an article published by Taylor & Francis Group in Quarterly Review of Film and Video on 25 Mar 2019, available online: http://www.tandfonline.com/10.1080/10509208.2018.1486114en_UK
dc.subjectTren de sombrasen_UK
dc.subjectGuerín, José Luisen_UK
dc.subjectmemoryen_UK
dc.subjectGothicen_UK
dc.subjectgenreen_UK
dc.subjectfilm technologyen_UK
dc.titleTren de sombras: memory, genre and film technologyen_UK
dc.typeJournal Articleen_UK
dc.rights.embargodate2020-09-26en_UK
dc.rights.embargoreason[Davies tren de sombras.pdf] Until this work is published there will be an embargo on the full text of this work. Publisher requires embargo of 18 months after formal publication.en_UK
dc.identifier.doi10.1080/10509208.2018.1486114en_UK
dc.citation.jtitleQuarterly Review of Film and Videoen_UK
dc.citation.issn1543-5326en_UK
dc.citation.issn1050-9208en_UK
dc.citation.volume36en_UK
dc.citation.issue2en_UK
dc.citation.spage87en_UK
dc.citation.epage103en_UK
dc.citation.publicationstatusPublisheden_UK
dc.citation.peerreviewedRefereeden_UK
dc.type.statusAM - Accepted Manuscripten_UK
dc.author.emailann.davies@stir.ac.uken_UK
dc.citation.date25/03/2019en_UK
dc.contributor.affiliationSpanishen_UK
dc.identifier.wtid924359en_UK
dc.contributor.orcid0000-0003-1473-6409en_UK
dc.date.accepted2018-06-05en_UK
dc.date.filedepositdate2018-06-14en_UK
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