Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/26302
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dc.contributor.advisorBroadbridge, Adelina-
dc.contributor.advisorFillis, Ian-
dc.contributor.authorBhovichitra, Phunpiti-
dc.date.accessioned2017-12-07T14:19:55Z-
dc.date.issued2017-08-
dc.identifier.urihttp://hdl.handle.net/1893/26302-
dc.description.abstractWhile the digital market, especially the music streaming market, has rapidly grown in recent years, however the physical music segment still remains relevant in the Thai market. The Thai music market has inimitable characteristics within the market in terms of the physical music record offers, recorded musical works, and a growth trend in physical sales. Moreover, the behaviour in physical music consumption is opposite to that in world markets. Music consumption practices in the Thai market and why physical music, and CDs in particular, remain relevant to the Thai music industry are an enigma. The music industry itself has suggested that the physical music market needs to be revamped and its physical products redeveloped. In addition, the major record companies have also refocused into developing physical markets. However, precisely how this is to be achieved has not been specified. The twin aims of this study are to more fully comprehend Thai music consumption practices in today’s market and to examine how the concepts of product development could be effective in responding to consumer needs and desires. Consumer-led product development is the main concept of this study used to create ideas to enhance music CDs. This study combined many perspectives related to consumer-led product development and then applied them to construct the conceptual framework named “The Seminal Framework for CD Development”. The framework is a roadmap to create a new set of features for a new form of music CD based on the input of the music industry’s representatives and consumers. A new form of music CD which includes a new set of features is named in this study as the “prototype CD”. Also, the framework is used to evaluate the effectiveness of the prototype CD; how the prototype CD is responsive to consumer needs as far as functional and psychological perspectives are concerned. Bearing in mind the aim of this research, the researcher considered the interpretive paradigm to be the most appropriate approach for capturing consumers’ experiences in music consumption practices and for studying the opinions, points of view and ideas derived from the consumers, and the experts in music CD development. In the data collection process, this study employed the technique of purposive sampling for selecting from the population. The purposive sampling technique allows the researcher to judge and select people or prospective participants who: 1) are available to participate I in conducting the research, 2) are knowledgeable about the industry, 3) have experience related to the context of the study, and 4) can provide the reliable and detailed information required to understand the focal themes of the study. This study conducted nine interviews with the music industry’s experts, 60 one-on-one interviews and four group interviews with consumers. For the data analysis, this study adopted the manual coding analysis. The Seminal Framework determined the coding structure, and sets of data could be organised into distinct themes, such as the new features of music CDs or future positive possibilities for music consumption. This enabled, at the end of the process, an easier and more efficient identification of the experiential values derived from prototype music CDs. In addition, in more fully understanding the needs and expectations inherent in music consumption practices, such careful coding analysis helps to re-define the typology of music consumers. The typology and the concepts also facilitated the identification of music consumption behaviour in today’s environment. This study contributes a wider concept in consumer-led product development that has been applied to the context of music consumption practices and music product (CD) development.en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Stirlingen_GB
dc.subjectMarketingen_GB
dc.subjectConsumer behaviouren_GB
dc.subjectProduct developmenten_GB
dc.subjectMusic consumption practicesen_GB
dc.subjectMusic CDen_GB
dc.subjectPhysical musicen_GB
dc.subjectMusic CD developmenten_GB
dc.subjectConsumer valueen_GB
dc.subjectSuperior valueen_GB
dc.subjectMusic product featuresen_GB
dc.subjectConsumer-perceived benefiten_GB
dc.subjectConsumer-perceived benefiten_GB
dc.subjectFuntional valueen_GB
dc.subjectPsychological valueen_GB
dc.subject.lcshMusic trade Thailanden_GB
dc.subject.lcshMusic and technology Thailanden_GB
dc.subject.lcshConsumer behavior Thailanden_GB
dc.titleMusic CD in development and consumer value in the Thai music industryen_GB
dc.typeThesis or Dissertationen_GB
dc.type.qualificationlevelDoctoralen_GB
dc.type.qualificationnameDoctor of Philosophyen_GB
dc.rights.embargodate2018-12-
dc.rights.embargoreasonThis thesis maybe used for a publication.en_GB
dc.author.emailpat_jiwa@hotmail.comen_GB
dc.rights.embargoterms2019-01-01en_GB
dc.rights.embargoliftdate2019-01-01-
Appears in Collections:Management, Work and Organisation eTheses

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