Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/24163
Appears in Collections:History and Politics Journal Articles
Peer Review Status: Refereed
Title: Imagining the Undefined Castle in The Castle of Otranto: Engravings and Interpretations
Author(s): Lindfield, Peter
Contact Email: pl15@stir.ac.uk
Keywords: Gothic Revival
Strawberry Hill
The Castle of Otranto
Gothic novel
Gothic imagination
book illustration
Gothic art
visual culture
architecture
Issue Date: 2017
Citation: Lindfield P (2017) Imagining the Undefined Castle in The Castle of Otranto: Engravings and Interpretations, Image and Narrative: Online Magazine of the Visual Narrative, 18 (3), pp. 46-63.
Abstract: The Castle of Otranto was a pioneering work: the second edition was the first piece of literary work to include ‘a Gothic story’ in its title, and it is frequently held up as the first in a long line of Gothic novels. Literary scholars have afforded it significant attention, but little has been written about Otranto’s engraved illustrations, first incorporated in the sixth, 1791, edition. This essay examines how the novel was visualised in Georgian engravings, and questions whether they present a castle that we can immediately recognise, to use Walpole’s phrase, as a ‘child of Strawberry [Hill]’, his Gothic villa.
URL: http://www.imageandnarrative.be/index.php/imagenarrative/article/view/1591
Rights: Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. This Journal doesn't have APC's and article submission charges and is licensed in accordance with the Creative Commons license: CC BY-NC-ND. This journal allows the author(s) to hold the copyright and to retain publishing rights without restrictions.

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