Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/24163
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dc.contributor.authorLindfield, Peteren_UK
dc.date.accessioned2017-10-25T23:14:26Z-
dc.date.available2017-10-25T23:14:26Z-
dc.date.issued2017en_UK
dc.identifier.urihttp://hdl.handle.net/1893/24163-
dc.description.abstractThe Castle of Otranto was a pioneering work: the second edition was the first piece of literary work to include ‘a Gothic story’ in its title, and it is frequently held up as the first in a long line of Gothic novels. Literary scholars have afforded it significant attention, but little has been written about Otranto’s engraved illustrations, first incorporated in the sixth, 1791, edition. This essay examines how the novel was visualised in Georgian engravings, and questions whether they present a castle that we can immediately recognise, to use Walpole’s phrase, as a ‘child of Strawberry [Hill]’, his Gothic villa.en_UK
dc.language.isoenen_UK
dc.publisherKatholieke Universiteit Leuvenen_UK
dc.relationLindfield P (2017) Imagining the Undefined Castle in The Castle of Otranto: Engravings and Interpretations. Image and Narrative: Online Magazine of the Visual Narrative, 18 (3), pp. 46-63. http://www.imageandnarrative.be/index.php/imagenarrative/article/view/1591en_UK
dc.rightsCopyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. This Journal doesn't have APC's and article submission charges and is licensed in accordance with the Creative Commons license: CC BY-NC-ND. This journal allows the author(s) to hold the copyright and to retain publishing rights without restrictions.en_UK
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/en_UK
dc.subjectGothic Revivalen_UK
dc.subjectStrawberry Hillen_UK
dc.subjectThe Castle of Otrantoen_UK
dc.subjectGothic novelen_UK
dc.subjectGothic imaginationen_UK
dc.subjectbook illustrationen_UK
dc.subjectGothic arten_UK
dc.subjectvisual cultureen_UK
dc.subjectarchitectureen_UK
dc.titleImagining the Undefined Castle in The Castle of Otranto: Engravings and Interpretationsen_UK
dc.typeJournal Articleen_UK
dc.citation.jtitleImage and Narrative: Online Magazine of the Visual Narrativeen_UK
dc.citation.issn1780-678Xen_UK
dc.citation.volume18en_UK
dc.citation.issue3en_UK
dc.citation.spage46en_UK
dc.citation.epage63en_UK
dc.citation.publicationstatusPublisheden_UK
dc.citation.peerreviewedRefereeden_UK
dc.type.statusVoR - Version of Recorden_UK
dc.identifier.urlhttp://www.imageandnarrative.be/index.php/imagenarrative/article/view/1591en_UK
dc.author.emailpl15@stir.ac.uken_UK
dc.contributor.affiliationEnglish Studiesen_UK
dc.identifier.wtid551739en_UK
dc.contributor.orcid0000-0001-8393-9344en_UK
dc.date.accepted2016-08-25en_UK
dcterms.dateAccepted2016-08-25en_UK
dc.date.filedepositdate2016-09-01en_UK
rioxxterms.apcnot chargeden_UK
rioxxterms.typeJournal Article/Reviewen_UK
rioxxterms.versionVoRen_UK
local.rioxx.authorLindfield, Peter|0000-0001-8393-9344en_UK
local.rioxx.projectInternal Project|University of Stirling|https://isni.org/isni/0000000122484331en_UK
local.rioxx.freetoreaddate2017-12-31en_UK
local.rioxx.licencehttp://www.rioxx.net/licenses/under-embargo-all-rights-reserved||2017-12-31en_UK
local.rioxx.licencehttp://creativecommons.org/licenses/by-nc-nd/4.0/|2017-12-31|en_UK
local.rioxx.filename1591-4876-1-PB.pdfen_UK
local.rioxx.filecount1en_UK
local.rioxx.source1780-678Xen_UK
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