Please use this identifier to cite or link to this item:
Appears in Collections:Communications, Media and Culture eTheses
Title: Beyond the Frame: A Critical Production Case Study of the Advance Party Initiative
Author(s): Hutcheson, Linda
Supervisor(s): Neely, Sarah
Blain, Neil
Keywords: Scottish cinema
British cinema
production studies
film marketing
film finance
film reception
production experiences
Red Road
Advance Party
Issue Date: Oct-2013
Publisher: University of Stirling
Abstract: This study utilises a variety of research methods in order to investigate aspects often overlooked within Scottish film criticism, and indeed film studies more generally, namely: pre-production, production experiences, marketing and distribution, and reception. To date, Scottish film criticism has exhibited a preoccupation with questions of nation, national identity and national cinema, and overwhelmingly scholars have privileged almost exclusive analysis of the film text. Spurred by Jonathan Murray’s (2007, 2011, 2012) questioning of the continued relevance of the national framework, this thesis goes beyond the frame of the film text in order to consider new ways in which a national framework might be of relevance when analysing Scotland’s cinematic output. Concurrently, the chosen case study is also used as a means of critiquing existing literature on collective identity and national cinema. As the title of this thesis suggests, analysis centres on the Dogma-inspired Advance Party initiative and its resulting films, Red Road (Arnold, 2006) and Donkeys (McKinnon, 2010). Devised by Glasgow-based Sigma Films and Denmark’s Zentropa, the cross border collaborative dimension of the Advance Party framework initially appears to challenge the appropriateness of the national framework. As this thesis demonstrates however, such a simplistic conclusion is reductive and overlooks the complexities of the film industry. Throughout this thesis, questions as to the intended and eventual function of the Advance Party framework arise, and these are revisited by means of the thesis Conclusion.
Type: Thesis or Dissertation
Affiliation: School of Arts and Humanities
Department of Film and Media Studies

Files in This Item:
File Description SizeFormat 
Linda Hutcheson PhD thesis.pdf27.9 MBAdobe PDFView/Open

This item is protected by original copyright

Items in the Repository are protected by copyright, with all rights reserved, unless otherwise indicated.

The metadata of the records in the Repository are available under the CC0 public domain dedication: No Rights Reserved

If you believe that any material held in STORRE infringes copyright, please contact providing details and we will remove the Work from public display in STORRE and investigate your claim.