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Appears in Collections:Literature and Languages Journal Articles
Peer Review Status: Refereed
Title: Cinema in progress: New Uruguayan Cinema
Author(s): Martin-Jones, David
Montañez, María Soledad
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Keywords: New Uruguayan cinema
Latin American Cinema
Film festivals
Motion pictures Latin America
Motion pictures Social aspects Latin America
Motion pictures Uruguay
Issue Date: 1-Sep-2009
Date Deposited: 22-May-2013
Citation: Martin-Jones D & Montañez MS (2009) Cinema in progress: New Uruguayan Cinema. Screen, 50 (3), pp. 334-344.;
Abstract: First paragraph: In the 2000s, New Uruguayan Cinema – a film movement that had been gathering momentum for nearly two decades – emerged in the international arena. European film festival awards recognized 25 Watts (Juan Pablo Rebella and Pablo Stoll, 2001; Rotterdam), En la puta vida (Beatriz Flores Silva, 2001; Huelva), El viaje hacia el mar (Guillermo Casanova, 2003; Huelva), Whisky (Juan Pablo Rebella and Pablo Stoll, 2004; Cannes, Huelva, Thessaloniki), Alma mater (Alvaro Buela, 2004; San Sebastian), El baño del Papa (Enrique Fernández, 2007; San Sebastian) and La Perrera (Manolo Nieto, 2006; Rotterdam). This report focuses on two of these films, Casanova’s El viaje hacia el mar and Rebella and Stoll’s Whisky, bringing to light the developing production context from which they emerged, and their status as representative works of two different filmmaking generations whose films are increasingly well received both nationally and internationally.
DOI Link: 10.1093/screen/hjp015
Rights: The publisher does not allow this work to be made publicly available in this Repository. Please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. Spanish version available from 33 cines: Revista Uruguaya de estudios sobre cine, 1 (1): 6-12. File: Cine Uruguayo 33 cines.pdf
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