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dc.contributor.authorMartin-Jones, Daviden_UK
dc.contributor.authorMontañez, María Soledaden_UK
dc.description.abstractFirst paragraph: In the 2000s, New Uruguayan Cinema – a film movement that had been gathering momentum for nearly two decades – emerged in the international arena. European film festival awards recognized 25 Watts (Juan Pablo Rebella and Pablo Stoll, 2001; Rotterdam), En la puta vida (Beatriz Flores Silva, 2001; Huelva), El viaje hacia el mar (Guillermo Casanova, 2003; Huelva), Whisky (Juan Pablo Rebella and Pablo Stoll, 2004; Cannes, Huelva, Thessaloniki), Alma mater (Alvaro Buela, 2004; San Sebastian), El baño del Papa (Enrique Fernández, 2007; San Sebastian) and La Perrera (Manolo Nieto, 2006; Rotterdam). This report focuses on two of these films, Casanova’s El viaje hacia el mar and Rebella and Stoll’s Whisky, bringing to light the developing production context from which they emerged, and their status as representative works of two different filmmaking generations whose films are increasingly well received both nationally and internationally.en_UK
dc.publisherScreen, Oxford Journalsen_UK
dc.relationMartin-Jones D & Montañez MS (2009) Cinema in progress: New Uruguayan Cinema. Screen, 50 (3), pp. 334-344.;
dc.rightsThe publisher does not allow this work to be made publicly available in this Repository. Please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. Spanish version available from 33 cines: Revista Uruguaya de estudios sobre cine, 1 (1): 6-12. File: Cine Uruguayo 33 cines.pdfen_UK
dc.subjectNew Uruguayan cinemaen_UK
dc.subjectLatin American Cinemaen_UK
dc.subjectFilm festivalsen_UK
dc.subjectMotion pictures Latin Americaen_UK
dc.subjectMotion pictures Social aspects Latin Americaen_UK
dc.subjectMotion pictures Uruguayen_UK
dc.titleCinema in progress: New Uruguayan Cinemaen_UK
dc.typeJournal Articleen_UK
dc.rights.embargoreason[Cine Uruguayo 33 cines.pdf] The publisher does not allow this work to be made publicly available in this Repository therefore there is an embargo on the full text of the work.en_UK
dc.rights.embargoreason[Cinema in Progress PUBLISHED VERSION.pdf] The publisher does not allow this work to be made publicly available in this Repository therefore there is an embargo on the full text of the work.en_UK
dc.type.statusAM - Accepted Manuscripten_UK
dc.type.statusVoR - Version of Recorden_UK
dc.contributor.affiliationUniversity of Glasgowen_UK
rioxxterms.typeJournal Article/Reviewen_UK
local.rioxx.authorMartin-Jones, David|en_UK
local.rioxx.authorMontañez, María Soledad|en_UK
local.rioxx.projectInternal Project|University of Stirling|
local.rioxx.filenameCinema in Progress PUBLISHED VERSION.pdfen_UK
Appears in Collections:Literature and Languages Journal Articles

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