Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/30688
Appears in Collections:Communications, Media and Culture Book Chapters and Sections
Title: The Art Of Maximal Ventriloquoy - Femininity As Labour In The Films Of Rachel Maclean
Author(s): Neely, Sarah
Smith, Sarah
Contact Email: sarah.neely@stir.ac.uk
Editor(s): Reynolds, Lucy
Citation: Neely S & Smith S (2019) The Art Of Maximal Ventriloquoy - Femininity As Labour In The Films Of Rachel Maclean. In: Reynolds L (ed.) Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury, pp. 165-177. https://www.bloomsbury.com/uk/women-artists-feminism-and-the-moving-image-9781784537005/
Issue Date: 2019
Date Deposited: 27-Mar-2019
Rights: This item has been embargoed for a period. During the embargo please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. Publisher policy allows this work to be made available in this repository. Published in Reynolds L (ed.) Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury, pp. 165-177: https://www.bloomsbury.com/uk/women-artists-feminism-and-the-moving-image-9781350113282/
URL: https://www.bloomsbury.com/uk/women-artists-feminism-and-the-moving-image-9781784537005/
Licence URL(s): https://storre.stir.ac.uk/STORREEndUserLicence.pdf

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