Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/30688
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dc.contributor.authorNeely, Sarahen_UK
dc.contributor.authorSmith, Sarahen_UK
dc.contributor.editorReynolds, Lucyen_UK
dc.date.accessioned2020-02-06T01:01:00Z-
dc.date.available2020-02-06T01:01:00Z-
dc.date.issued2019en_UK
dc.identifier.urihttp://hdl.handle.net/1893/30688-
dc.language.isoenen_UK
dc.publisherBloomsburyen_UK
dc.relationNeely S & Smith S (2019) The Art Of Maximal Ventriloquoy - Femininity As Labour In The Films Of Rachel Maclean. In: Reynolds L (ed.) Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury, pp. 165-177. https://www.bloomsbury.com/uk/women-artists-feminism-and-the-moving-image-9781784537005/en_UK
dc.rightsThis item has been embargoed for a period. During the embargo please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. Publisher policy allows this work to be made available in this repository. Published in Reynolds L (ed.) Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury, pp. 165-177: https://www.bloomsbury.com/uk/women-artists-feminism-and-the-moving-image-9781350113282/en_UK
dc.rights.urihttps://storre.stir.ac.uk/STORREEndUserLicence.pdfen_UK
dc.titleThe Art Of Maximal Ventriloquoy - Femininity As Labour In The Films Of Rachel Macleanen_UK
dc.typePart of book or chapter of booken_UK
dc.rights.embargodate2020-02-23en_UK
dc.rights.embargoreason[The art of maximal ventriloquoy - femininity as labour in the films of rachel maclean (final).pdf] Publisher requires embargo of 6 months after formal publication.en_UK
dc.citation.spage165en_UK
dc.citation.epage177en_UK
dc.citation.publicationstatusPublisheden_UK
dc.type.statusAM - Accepted Manuscripten_UK
dc.identifier.urlhttps://www.bloomsbury.com/uk/women-artists-feminism-and-the-moving-image-9781784537005/en_UK
dc.author.emailsarah.neely@stir.ac.uken_UK
dc.citation.btitleWomen Artists, Feminism and the Moving Image: Contexts and Practicesen_UK
dc.citation.date22/08/2019en_UK
dc.citation.isbn9781784537005en_UK
dc.citation.isbn9781350113282en_UK
dc.publisher.addressLondonen_UK
dc.contributor.affiliationCommunications, Media and Cultureen_UK
dc.contributor.affiliationGlasgow School of Arten_UK
dc.identifier.wtid1256577en_UK
dc.contributor.orcid0000-0001-8291-0638en_UK
dc.date.accepted2019-03-01en_UK
dcterms.dateAccepted2019-03-01en_UK
dc.date.filedepositdate2019-03-27en_UK
rioxxterms.typeBook chapteren_UK
rioxxterms.versionAMen_UK
local.rioxx.authorNeely, Sarah|0000-0001-8291-0638en_UK
local.rioxx.authorSmith, Sarah|en_UK
local.rioxx.projectInternal Project|University of Stirling|https://isni.org/isni/0000000122484331en_UK
local.rioxx.contributorReynolds, Lucy|en_UK
local.rioxx.freetoreaddate2020-02-23en_UK
local.rioxx.licencehttp://www.rioxx.net/licenses/under-embargo-all-rights-reserved||2020-02-22en_UK
local.rioxx.licencehttps://storre.stir.ac.uk/STORREEndUserLicence.pdf|2020-02-23|en_UK
local.rioxx.filenameThe art of maximal ventriloquoy - femininity as labour in the films of rachel maclean (final).pdfen_UK
local.rioxx.filecount1en_UK
local.rioxx.source9781350113282en_UK
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