Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/818
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dc.contributor.authorJohnston, Cristinaen_UK
dc.date.accessioned2012-04-29T17:37:59Z-
dc.date.available2012-04-29T17:37:59Z-
dc.date.issued2007en_UK
dc.identifier.urihttp://hdl.handle.net/1893/818-
dc.description.abstractThis article examines the complexities of both French and American transnational identities as portrayed onscreen by Jean Reno. The significance of the particular elements of French and American culture and identity which feature at the heart of Reno’s roles in three films (Mission: Impossible, Godzilla, and Ronin) is analysed in an attempt to illustrate that, while feeding on national and cultural stereotype, the overall persona that emerges is one inescapably in dialogue with both Atlantic coasts, rather than one which engages with the somewhat simplistic binary backdrop of French anti-Americanism and American francophobia. This transcultural dialogue is further discussed through brief analysis of Reno’s onscreen relationship with the major American box office stars of these three films, namely Tom Cruise, Matthew Broderick, and Robert de Niro. What emerges from these two parallel strands of analysis is a multilayered, transnational screen persona, at once embedded in and breaking with transatlantic clichés.en_UK
dc.language.isoenen_UK
dc.publisherIntellecten_UK
dc.relationJohnston C (2007) Saving Robert De Niro: Jean Reno as Francophone All-American Action Hero. Studies in European Cinema, 4 (3), pp. 167-176.en_UK
dc.rightsPublshed in Studies in European Cinema by intellect. Copyright Intellect.en_UK
dc.subjectJean Renoen_UK
dc.subjecttransatlantic cinemaen_UK
dc.subjectaction filmsen_UK
dc.subjectstarsen_UK
dc.subjectMotion pictures Europeen_UK
dc.subjectMotion pictures Social aspects France.en_UK
dc.subjectClichés in motion picturesen_UK
dc.subjectClichés Franceen_UK
dc.titleSaving Robert De Niro: Jean Reno as Francophone All-American Action Heroen_UK
dc.typeJournal Articleen_UK
dc.citation.jtitleStudies in European Cinemaen_UK
dc.citation.issn1741-1548en_UK
dc.citation.volume4en_UK
dc.citation.issue3en_UK
dc.citation.spage167en_UK
dc.citation.epage176en_UK
dc.citation.publicationstatusPublisheden_UK
dc.citation.peerreviewedRefereeden_UK
dc.type.statusAM - Accepted Manuscripten_UK
dc.author.emailcristina.johnston@stir.ac.uken_UK
dc.contributor.affiliationFrenchen_UK
dc.identifier.scopusid2-s2.0-79955719517en_UK
dc.identifier.wtid820485en_UK
dc.contributor.orcid0000-0002-2342-8822en_UK
dcterms.dateAccepted2007-12-31en_UK
dc.date.filedepositdate2009-02-17en_UK
rioxxterms.typeJournal Article/Reviewen_UK
rioxxterms.versionAMen_UK
local.rioxx.authorJohnston, Cristina|0000-0002-2342-8822en_UK
local.rioxx.projectInternal Project|University of Stirling|https://isni.org/isni/0000000122484331en_UK
local.rioxx.freetoreaddate2009-02-17en_UK
local.rioxx.licencehttp://www.rioxx.net/licenses/all-rights-reserved|2009-02-17|en_UK
local.rioxx.filenameSaving Robert De Niro Reno final pdf.pdfen_UK
local.rioxx.filecount1en_UK
local.rioxx.source1741-1548en_UK
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