Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/3949
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dc.contributor.authorBorges, Rey Eddy-
dc.date.accessioned2013-05-01T23:12:59Z-
dc.date.available2013-05-01T23:12:59Z-
dc.date.issued2009-
dc.identifier.urihttp://hdl.handle.net/1893/3949-
dc.description.abstractHuman society has built itself over the years. Social models have been transformed with each new revolution of thinking; those processes, which served the purpose of settling the foundations for a net of relations in every field, led to what we human beings nowadays perceive as our environment. However, not only what is visible at first glance has been built, but also unnoticed, complex abstractions which tacitly give a meaning to numerous elements of everyday life. Many situations happen around us in which thousands of signs are interpreted at an unimaginable speed; it's on these signification systems that conventions are constantly rewritten in a perpetual code update. This is how music in particular stands out as a form of discourse that generates an interpretation. From the study of significance's point of view, music provokes a response on the receiving end, but the answer to how that response is generated is still an issue for heated, passionate discussions among experts.en_UK
dc.language.isoes-
dc.publisherLa Asociación científica de Comunicación y Nuevas Tecnologías Icono14-
dc.relationBorges Rey E (2009) Imaginario colectivo musical. Convenciones en el proceso de interpretacion del sentido de la musica, Revista Icono14, 7 (3), pp. 210-231.-
dc.rightsBorges Rey, Eddy L. (2009) Imaginario colectivo musical. Convenciones en el proceso de interpretación del sentido de la música. Revista Icono14 [en línea] 25 de Octubre de 2009, Nº 14. pp. 210-231. Recuperado (Fecha de acceso), de http://www.icono14.net Translated from Spanish from url: http://www.icono14.net/index.php/revista/politica-editorial "Open Access Policy ICONO14 provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge. Icono14 adheres to the various initiatives that promote open access to knowledge, so that all content of Icono14 are free and open access and are published under Creative Commons Attribution-NonCommercial-NoDerivs-." http://creativecommons.org/licenses/by-nc-nd/3.0/es/-
dc.subjectMusical Semanticsen_UK
dc.subjectMusic and Societyen_UK
dc.subjectMusic and Communicationen_UK
dc.subjectCollective Musical Imaginaryen_UK
dc.subject.lcshMusic Semiotics-
dc.subject.lcshMusic appreciation-
dc.titleImaginario colectivo musical. Convenciones en el proceso de interpretacion del sentido de la musicaen_UK
dc.typeJournal Articleen_UK
dc.citation.jtitleRevista Icono14-
dc.citation.issn1697-8293-
dc.citation.volume7-
dc.citation.issue3-
dc.citation.spage210-
dc.citation.epage231-
dc.citation.publicationstatusPublished-
dc.citation.peerreviewedRefereed-
dc.type.statusPublisher version (final published refereed version)-
dc.identifier.urlhttp://www.icono14.net/articulos/imaginario-colectivo-musical-
dc.author.emaileddy.borges-rey@stir.ac.uk-
dc.contributor.affiliationCommunications, Media and Culture-
Appears in Collections:Communications, Media and Culture Journal Articles

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