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dc.contributor.authorLindner, Katharina-
dc.description.abstractDrawing on debates around lesbian (in)visibility, representability and appropriation in cinema, this paper explores the ways in which Bend it Like Beckham (Chadha, 2002) opens up possibilities for lesbian spectatorial engagements. Situating the film within the larger generic context of the (female) sports film, I argue that Bend it Like Beckham uses the lesbian recognisability and representability provided by the contemporary sports context for an articulation of non-heteronormative identities and desires, blurring the boundaries between lesbian visibility and invisibility. Questioning traditional and binary understandings of gendered spectatorship, and with a particular focus on moments of athletic performance, I suggest that the athletic (bodily, emotional and looking) relations between the central female characters allow for appropriative viewing pleasures to be taken in this superficially ‘straight' texen_UK
dc.publisherTaylor & Francis (Routledge)-
dc.relationLindner K (2011) 'There is a reason why Sporty Spice is the only one of them without a fella . . . ': The 'lesbian potential' of Bend it Like Beckham, New Review of Film and Television Studies, 9 (2), pp. 204-223.-
dc.rightsThe publisher does not allow this work to be made publicly available in this Repository. Please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author; you can only request a copy if you wish to use this work for your own research or private study.-
dc.subjecttextual analysisen_UK
dc.subjectBend it Like Beckhamen_UK
dc.subject.lcshWomen athletes-
dc.subject.lcshSports in motion pictures-
dc.subject.lcshSex role in motion pictures-
dc.subject.lcshLesbianism in motion pictures-
dc.title'There is a reason why Sporty Spice is the only one of them without a fella . . . ': The 'lesbian potential' of Bend it Like Beckhamen_UK
dc.typeJournal Articleen_UK
dc.rights.embargoreasonThe publisher does not allow this work to be made publicly available in this Repository therefore there is an embargo on the full text of the work.-
dc.citation.jtitleNew Review of Film and Television Studies-
dc.type.statusPublisher version (final published refereed version)-
dc.contributor.affiliationCommunications, Media and Culture-
Appears in Collections:Communications, Media and Culture Journal Articles

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