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dc.contributor.authorde Aguilera Moyano, Miguelen_UK
dc.contributor.authorAdell, Joan-Eliesen_UK
dc.contributor.authorBorges Rey, Eddyen_UK
dc.description.abstractSharing music is a traditional mechanism of cultural sociability, the observation of wich is useful in order to understand the nego- tiation procedures of sense and identity. In the new digital scene, the act of sharing and offering music shows -along with the obvious purpose of establishing relationships with others as well as making them participate in something pleasant- a desire to spre- ad one's own personal taste and a will to communicate our one's identity. Thus, now and then, communicating by means of music and sharing it -as well as giving an opinion on it- are ways of both self-representation and expression of one's identity, offering others some sort of «musical personality»: another way of being in the world, typical of our era and related to a way of using the products of cultural industry with a personal purpose. This use, however, is not restricted to just expressing identity aspects: we use mass culture products in several ways with different purposes in our everyday life. According to some of these other uses, we will expand the field of the main subject of this article: other ways of sharing music that represent both permitted and non-permit- ted appropriations of music. We will accomplish this by considering some of the reasons that help getting a better understanding of the cultural task carried out by music (and other cultural products).en_UK
dc.publisherGrupo Comunicaren_UK
dc.relationde Aguilera Moyano M, Adell J & Borges Rey E (2010) Imaginative Appropriations of Music in the New Communicative Scenarios [Apropiaciones imaginativas de la música en los nuevos escenarios comunicativos]. Comunicar, 34 (XVII), pp. 35-43.
dc.rightsThe publisher has not yet responded to our queries therefore this work cannot be made publicly available in this Repository. Please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author; you can only request a copy if you wish to use this work for your own research or private study.en_UK
dc.subjectSocial networksen_UK
dc.subjectcultural practicesen_UK
dc.subjectdigital musicen_UK
dc.subjectimaginative appropriationen_UK
dc.subjectidentity buildingen_UK
dc.subjectcommunicative scenariosen_UK
dc.subjectPiracy (Copyright) Social aspects.en_UK
dc.subjectMusic Social aspectsen_UK
dc.titleImaginative Appropriations of Music in the New Communicative Scenariosen_UK
dc.title.alternativeApropiaciones imaginativas de la música en los nuevos escenarios comunicativosen_UK
dc.typeJournal Articleen_UK
dc.rights.embargoreason[Comunicar-34-de Aguilera-Adell-Borges-35-44-english.pdf] The publisher has not yet responded to our queries. This work cannot be made publicly available in this Repository therefore there is an embargo on the full text of the work.en_UK
dc.type.statusVoR - Version of Recorden_UK
dc.contributor.affiliationUniversity of Malagaen_UK
dc.contributor.affiliationOpen University of Cataloniaen_UK
dc.contributor.affiliationCommunications, Media and Cultureen_UK
rioxxterms.typeJournal Article/Reviewen_UK
local.rioxx.authorde Aguilera Moyano, Miguel|en_UK
local.rioxx.authorAdell, Joan-Elies|en_UK
local.rioxx.authorBorges Rey, Eddy|0000-0003-2833-0901en_UK
local.rioxx.projectInternal Project|University of Stirling|
local.rioxx.filenameComunicar-34-de Aguilera-Adell-Borges-35-44-english.pdfen_UK
Appears in Collections:Communications, Media and Culture Journal Articles

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