Please use this identifier to cite or link to this item:
http://hdl.handle.net/1893/36260
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Salamon, Errol | en_UK |
dc.contributor.author | Saunders, Rebecca | en_UK |
dc.date.accessioned | 2024-10-03T00:11:49Z | - |
dc.date.available | 2024-10-03T00:11:49Z | - |
dc.date.issued | 2024-08-05 | en_UK |
dc.identifier.uri | http://hdl.handle.net/1893/36260 | - |
dc.description.abstract | This article conducts a collaborative qualitative thematic analysis of in-depth interviews with social media content creators (N = 53) based in and/or originated from the United Kingdom. It aims to better understand how creators within one peripheral region in Northern England express their labor experiences as both practices of domination and e-resistance. The article contributes an original typology of the relationships between practices of creator domination and forms of individual or collective e-resistance, encompassing varying levels of visibility, targets, sources, and underlying motives. It develops a novel creator workers’ inquiry methodology to establish this multifaceted typology of creator e-resistance. The findings suggest that creator e-resistance should consider the relationships among practices of material, status, and ideological domination, and forms of non-resistance, individual hidden e-resistance, collective hidden e-resistance, and collective public e-resistance. | en_UK |
dc.language.iso | en | en_UK |
dc.publisher | SAGE Publications | en_UK |
dc.relation | Salamon E & Saunders R (2024) Domination and the Arts of Digital Resistance in Social Media Creator Labor. <i>Social Media and Society</i>, 10 (3). https://doi.org/10.1177/20563051241269318 | en_UK |
dc.rights | © The Author(s) 2024. This article is distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 License (https://creativecommons.org/licenses/by-nc/4.0/) which permits non-commercial use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage). | en_UK |
dc.rights.uri | http://creativecommons.org/licenses/by-nc/4.0/ | en_UK |
dc.subject | social media | en_UK |
dc.subject | platforms | en_UK |
dc.subject | activism | en_UK |
dc.subject | creators | en_UK |
dc.subject | work | en_UK |
dc.title | Domination and the Arts of Digital Resistance in Social Media Creator Labor | en_UK |
dc.type | Journal Article | en_UK |
dc.identifier.doi | 10.1177/20563051241269318 | en_UK |
dc.citation.jtitle | Social Media and Society | en_UK |
dc.citation.issn | 2056-3051 | en_UK |
dc.citation.volume | 10 | en_UK |
dc.citation.issue | 3 | en_UK |
dc.citation.publicationstatus | Published | en_UK |
dc.citation.peerreviewed | Refereed | en_UK |
dc.type.status | VoR - Version of Record | en_UK |
dc.contributor.funder | Research England | en_UK |
dc.contributor.funder | University of Huddersfield | en_UK |
dc.author.email | errol.salamon@stir.ac.uk | en_UK |
dc.citation.date | 05/08/2024 | en_UK |
dc.contributor.affiliation | Communications, Media and Culture | en_UK |
dc.contributor.affiliation | Cardiff University | en_UK |
dc.identifier.isi | WOS:001284106600001 | en_UK |
dc.identifier.scopusid | 2-s2.0-85200448241 | en_UK |
dc.identifier.wtid | 2034996 | en_UK |
dc.contributor.orcid | https://orcid.org/0000-0002-7335-519 | en_UK |
dc.date.accepted | 2024-06-13 | en_UK |
dcterms.dateAccepted | 2024-06-13 | en_UK |
dc.date.filedepositdate | 2024-08-05 | en_UK |
rioxxterms.apc | paid | en_UK |
rioxxterms.type | Journal Article/Review | en_UK |
rioxxterms.version | VoR | en_UK |
local.rioxx.author | Salamon, Errol| https://orcid.org/0000-0002-7335-519 | en_UK |
local.rioxx.author | Saunders, Rebecca| | en_UK |
local.rioxx.project | Project ID unknown|Research England| | en_UK |
local.rioxx.project | Project ID unknown|University of Huddersfield|http://dx.doi.org/10.13039/100010028 | en_UK |
local.rioxx.project | Internal Project|University of Stirling|https://isni.org/isni/0000000122484331 | en_UK |
local.rioxx.freetoreaddate | 2024-09-26 | en_UK |
local.rioxx.licence | http://creativecommons.org/licenses/by-nc/4.0/|2024-09-26| | en_UK |
local.rioxx.filename | salamon-saunders-2024-domination-and-the-arts-of-digital-resistance-in-social-media-creator-labor.pdf | en_UK |
local.rioxx.filecount | 1 | en_UK |
local.rioxx.source | 2056-3051 | en_UK |
Appears in Collections: | Communications, Media and Culture Journal Articles |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
salamon-saunders-2024-domination-and-the-arts-of-digital-resistance-in-social-media-creator-labor.pdf | Fulltext - Published Version | 197.26 kB | Adobe PDF | View/Open |
This item is protected by original copyright |
A file in this item is licensed under a Creative Commons License
Items in the Repository are protected by copyright, with all rights reserved, unless otherwise indicated.
The metadata of the records in the Repository are available under the CC0 public domain dedication: No Rights Reserved https://creativecommons.org/publicdomain/zero/1.0/
If you believe that any material held in STORRE infringes copyright, please contact library@stir.ac.uk providing details and we will remove the Work from public display in STORRE and investigate your claim.