Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/36260
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dc.contributor.authorSalamon, Errolen_UK
dc.contributor.authorSaunders, Rebeccaen_UK
dc.date.accessioned2024-10-03T00:11:49Z-
dc.date.available2024-10-03T00:11:49Z-
dc.date.issued2024-08-05en_UK
dc.identifier.urihttp://hdl.handle.net/1893/36260-
dc.description.abstractThis article conducts a collaborative qualitative thematic analysis of in-depth interviews with social media content creators (N = 53) based in and/or originated from the United Kingdom. It aims to better understand how creators within one peripheral region in Northern England express their labor experiences as both practices of domination and e-resistance. The article contributes an original typology of the relationships between practices of creator domination and forms of individual or collective e-resistance, encompassing varying levels of visibility, targets, sources, and underlying motives. It develops a novel creator workers’ inquiry methodology to establish this multifaceted typology of creator e-resistance. The findings suggest that creator e-resistance should consider the relationships among practices of material, status, and ideological domination, and forms of non-resistance, individual hidden e-resistance, collective hidden e-resistance, and collective public e-resistance.en_UK
dc.language.isoenen_UK
dc.publisherSAGE Publicationsen_UK
dc.relationSalamon E & Saunders R (2024) Domination and the Arts of Digital Resistance in Social Media Creator Labor. <i>Social Media and Society</i>, 10 (3). https://doi.org/10.1177/20563051241269318en_UK
dc.rights© The Author(s) 2024. This article is distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 License (https://creativecommons.org/licenses/by-nc/4.0/) which permits non-commercial use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage).en_UK
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/en_UK
dc.subjectsocial mediaen_UK
dc.subjectplatformsen_UK
dc.subjectactivismen_UK
dc.subjectcreatorsen_UK
dc.subjectworken_UK
dc.titleDomination and the Arts of Digital Resistance in Social Media Creator Laboren_UK
dc.typeJournal Articleen_UK
dc.identifier.doi10.1177/20563051241269318en_UK
dc.citation.jtitleSocial Media and Societyen_UK
dc.citation.issn2056-3051en_UK
dc.citation.volume10en_UK
dc.citation.issue3en_UK
dc.citation.publicationstatusPublisheden_UK
dc.citation.peerreviewedRefereeden_UK
dc.type.statusVoR - Version of Recorden_UK
dc.contributor.funderResearch Englanden_UK
dc.contributor.funderUniversity of Huddersfielden_UK
dc.author.emailerrol.salamon@stir.ac.uken_UK
dc.citation.date05/08/2024en_UK
dc.contributor.affiliationCommunications, Media and Cultureen_UK
dc.contributor.affiliationCardiff Universityen_UK
dc.identifier.isiWOS:001284106600001en_UK
dc.identifier.scopusid2-s2.0-85200448241en_UK
dc.identifier.wtid2034996en_UK
dc.contributor.orcidhttps://orcid.org/0000-0002-7335-519en_UK
dc.date.accepted2024-06-13en_UK
dcterms.dateAccepted2024-06-13en_UK
dc.date.filedepositdate2024-08-05en_UK
rioxxterms.apcpaiden_UK
rioxxterms.typeJournal Article/Reviewen_UK
rioxxterms.versionVoRen_UK
local.rioxx.authorSalamon, Errol| https://orcid.org/0000-0002-7335-519en_UK
local.rioxx.authorSaunders, Rebecca|en_UK
local.rioxx.projectProject ID unknown|Research England|en_UK
local.rioxx.projectProject ID unknown|University of Huddersfield|http://dx.doi.org/10.13039/100010028en_UK
local.rioxx.projectInternal Project|University of Stirling|https://isni.org/isni/0000000122484331en_UK
local.rioxx.freetoreaddate2024-09-26en_UK
local.rioxx.licencehttp://creativecommons.org/licenses/by-nc/4.0/|2024-09-26|en_UK
local.rioxx.filenamesalamon-saunders-2024-domination-and-the-arts-of-digital-resistance-in-social-media-creator-labor.pdfen_UK
local.rioxx.filecount1en_UK
local.rioxx.source2056-3051en_UK
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