Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/3573
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dc.contributor.advisorHunter, Adrian-
dc.contributor.authorFuller, Elizabeth A-
dc.date.accessioned2012-01-23T11:45:17Z-
dc.date.available2012-01-23T11:45:17Z-
dc.date.issued2011-06-27-
dc.identifier.urihttp://hdl.handle.net/1893/3573-
dc.description.abstractI identify and analyse an emergent sub-genre of contemporary literature by women that I am calling ‘New Femininities’ fiction. This fiction is about the distinctly feminine experience of contemporary domestic life written by women about the lives of heterosexual female characters that are married or in committed partnerships, often with children. These texts are concerned with the nature of the self, with a self that is plural and ‘in process’, and make use of particular narrative devices – ironic voice, unreliable narration, free indirect discourse, and interrogative endings that exceed their roles as simply telling stories. ‘New Femininities’ fictions allow their language the necessary freedom to multiply meanings and enact the narrative conflicts they raise and by so doing, undermine the binary oppositions which structure a gendered world. In this dissertation, I argue the models of existing criticism would do a disservice to these texts because much of the criticism either overvalues the theoretical and ignores the literariness of the text or seeks to identify a ‘feminine’ language the definition of which serves to reinforce and revalue patriarchal notions of femininity. The readings that this fiction requires necessitate a negotiation with established models of feminist literary criticism. I attempt to identify the characteristics of their style that allows them to straddle binary oppositions and to look at the language these authors use without having to label it ‘feminine’ and by so doing establish, build, or reinforce a boundary with some undefined ‘masculine’ language which stands in for all occurrences that are not ‘feminine’. Additionally, I attempt to forge a transformed, adapted concept vocabulary for dealing with this group of writers. To this end, I make use of various discourses to show how the different authors either negotiate with that discourse or prove its inadequacy to describe or explain these new femininities.en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Stirlingen_GB
dc.subjectthird wave feminismen_GB
dc.subjectnew femininitiesen_GB
dc.subjectnegotiationen_GB
dc.subjectTwenty-first century fictionen_GB
dc.subjectwomen's fictionen_GB
dc.subjectdomesticityen_GB
dc.subjectEnright, Anneen_GB
dc.subjectCusk, Rachelen_GB
dc.subjectSmith, Alien_GB
dc.subjectMunro, Aliceen_GB
dc.subjectMyerson, Julieen_GB
dc.subjectMendelson, Charlotteen_GB
dc.subjectHeller, Zoeen_GB
dc.subjectHadley, Tessaen_GB
dc.subjectKennedy, A.L.en_GB
dc.subject.lcshFeminist theoryen_GB
dc.subject.lcshFeminismen_GB
dc.title'New Femininities' Fictionen_GB
dc.typeThesis or Dissertationen_GB
dc.type.qualificationlevelDoctoralen_GB
dc.type.qualificationnameDoctor of Philosophyen_GB
dc.rights.embargodate2018-01-31-
dc.rights.embargoreasonI would like time to publish the research as a monograph.en_GB
dc.author.emaile.a.fuller@stir.ac.uken_GB
dc.contributor.affiliationSchool of Arts and Humanitiesen_GB
dc.contributor.affiliationLiterature and Languagesen_GB
dc.rights.embargoterms2018-02-01-
dc.rights.embargoliftdate2018-02-01-
Appears in Collections:Literature and Languages eTheses

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