Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/35674
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dc.contributor.advisorSquires, Claire-
dc.contributor.advisorHunter, Adrian-
dc.contributor.advisorBarker, Kim-
dc.contributor.authorBullen, Chiara-
dc.date.accessioned2024-01-23T12:38:38Z-
dc.date.issued2023-10-13-
dc.identifier.urihttp://hdl.handle.net/1893/35674-
dc.description.abstractThe publishing industry has experienced significant disruption due to 21st-century technological and social contexts. The emergence of social media altered how authors and readers interact, giving unprecedented insight into an author’s life beyond the text. Meanwhile, progressive social movements like #MeToo and Black Lives Matter have contributed to widescale scrutiny of individuals and industries that perpetrate social injustice and inequality. The combining forces of these concepts have resulted in an expectation that the publishing industry should not publish problematically, particularly from 2010-2021. ‘Problematic’ in this context is attuned to issues concerning social justice and inequality, such as sexism, racism and homophobia. This thesis presents a scholarly investigation of what can be gained by tackling the problematic in publishing, focusing on problematic behaviour beyond the text and problematic content within the text. It presents an examination of the publishing industry through a Bourdieusian lens and argues social and technological contexts of the 21st century have disrupted the field’s habitus. I argue a new form of capital has emerged as a result, Progressive Symbolic Capital, which is accumulated by producing works free from the association of problematic authors and the absence of problematic content. This thesis then investigates two practices used to accumulate Progressive Symbolic Capital; the morality clause and sensitivity reading. This thesis utilises semi-structured interviews with agents in the publishing field, a socio-legal analysis of the morality clause, an analysis of grey literature and an examination of sensitivity reading of contemporary and past texts to highlight industry attempts to generate Progressive Symbolic Capital and minimise instances of problematic publishing. This thesis argues Progressive Symbolic Capital illustrates the underlying tension between commerce and social responsibility in the publishing industry, and demonstrates that the utilisation of morality clauses and sensitivity reading has the potential to further structural inequality in the field.en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Stirlingen_GB
dc.subjectMorality Clauseen_GB
dc.subjectPublishing Studiesen_GB
dc.subjectSensitivity Readingen_GB
dc.subjectSymbolic Capitalen_GB
dc.subjectAuthorshipen_GB
dc.subjectReadershipen_GB
dc.subjectCreative Industriesen_GB
dc.subject21st-Century Literatureen_GB
dc.subject.lcshPublishers and publishingen_GB
dc.subject.lcshPublishers and publishing Ethicsen_GB
dc.subject.lcshPublishers and publishing 21st centuryen_GB
dc.subject.lcshCultural industriesen_GB
dc.subject.lcshAuthorshipen_GB
dc.subject.lcshDigital mediaen_GB
dc.titleProblematic Publishing and Progressive Symbolic Capital in the 21st Centuryen_GB
dc.typeThesis or Dissertationen_GB
dc.type.qualificationlevelDoctoralen_GB
dc.type.qualificationnameDoctor of Philosophyen_GB
dc.rights.embargodate2026-02-01-
dc.rights.embargoreasonI have an upcoming publication with Cambridge University Pressen_GB
dc.author.emailchiarabullen@gmail.comen_GB
dc.rights.embargoterms2026-02-02en_GB
dc.rights.embargoliftdate2026-02-02-
Appears in Collections:Literature and Languages eTheses

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