Please use this identifier to cite or link to this item:
http://hdl.handle.net/1893/34725
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Wetzel, Victoria | en_UK |
dc.contributor.author | Zioga, Polina | en_UK |
dc.date.accessioned | 2023-01-31T11:26:39Z | - |
dc.date.available | 2023-01-31T11:26:39Z | - |
dc.date.issued | 2022 | en_UK |
dc.identifier.uri | http://hdl.handle.net/1893/34725 | - |
dc.description.abstract | To reach younger audiences, museums worldwide have incorporated interactive and hands-on activities, while some venues specialise in children as their main audience. Videos, in particular, can be easily integrated into the museum space and provide a variety of application possibilities. Their use creates a hybrid experience for the visitor in which the interaction between physical and digital elements transforms and enriches their experience of the exhibits. Furthermore, interactive technologies have been proven to increase visitor numbers and interactions on-and off-site. In this context, our practice-based research focuses on the use of interactive video technologies and factors that can lead to the design of engaging and user-friendly museum experiences for children to investigate their application through the production of a new interactive film for young museum visitors. A museum was chosen as a case study, and a survey was conducted to achieve this. The results indicated that creating an interactive video could benefit the areas that were visited less; the preferable length is relatively short, while hands-on and video installations promote and prolong the engagement of young visitors and are favoured by both younger and older children. Additionally, fictional or dramatised stories are attractive to children compared to documentaries; accessing the interactive content on their mobile devices would be preferable. These have led to the production of Paintings Alive, an interactive film for children, featuring and reenacting the paintings in the museum’s art gallery and accessible on the visitors’ mobile devices. Our article also discusses the project's findings, alongside the challenges and limitations imposed by the COVID-19 pandemic, and offers recommendations for future work. | en_UK |
dc.language.iso | en | en_UK |
dc.publisher | Interactive Film and Media | en_UK |
dc.relation | Wetzel V & Zioga P (2022) Paintings Alive: An Interactive Film for Young Museum Visitors. <i>Interactive Film and Media Journal</i>, 2 (4), pp. 95-105. https://doi.org/10.32920/ifmj.v2i4.1669 | en_UK |
dc.rights | This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. By default, all content published in #IFM Journal is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0). This license allows authors and readers to download and share content with others as long as they credit the authors, but they can’t change them in any way or use them commercially, provided that they abide by the following terms: Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. NonCommercial — You may not use the material for commercial purposes. NoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits. Authors are encouraged to familiarize themselves with the various Creative Commons licenses. In addition, readers are advised to consult the licensing information embedded in each published work to ensure that they are familiar with the terms of use that apply. | en_UK |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | en_UK |
dc.subject | children | en_UK |
dc.subject | interactive film | en_UK |
dc.subject | interactive narrative | en_UK |
dc.subject | interactive video installation | en_UK |
dc.subject | museum | en_UK |
dc.title | Paintings Alive: An Interactive Film for Young Museum Visitors | en_UK |
dc.type | Journal Article | en_UK |
dc.identifier.doi | 10.32920/ifmj.v2i4.1669 | en_UK |
dc.citation.jtitle | Interactive Film and Media Journal | en_UK |
dc.citation.issn | 2564-4173 | en_UK |
dc.citation.issn | 2564 - 4173 | en_UK |
dc.citation.volume | 2 | en_UK |
dc.citation.issue | 4 | en_UK |
dc.citation.spage | 95 | en_UK |
dc.citation.epage | 105 | en_UK |
dc.citation.publicationstatus | Published | en_UK |
dc.citation.peerreviewed | Refereed | en_UK |
dc.type.status | VoR - Version of Record | en_UK |
dc.author.email | polina.zioga@stir.ac.uk | en_UK |
dc.citation.date | 30/12/2022 | en_UK |
dc.contributor.affiliation | Interactive Filmmaking Lab | en_UK |
dc.contributor.affiliation | Communications, Media and Culture | en_UK |
dc.identifier.wtid | 1869251 | en_UK |
dc.contributor.orcid | 0000-0003-1317-2074 | en_UK |
dc.date.accepted | 2022-10-23 | en_UK |
dcterms.dateAccepted | 2022-10-23 | en_UK |
dc.date.filedepositdate | 2023-01-06 | en_UK |
dc.subject.tag | Children | en_UK |
dc.subject.tag | Children and families | en_UK |
dc.subject.tag | Children’s Cinema | en_UK |
dc.subject.tag | COVID-19 | en_UK |
dc.subject.tag | Interactive | en_UK |
dc.subject.tag | Museums | en_UK |
dc.subject.tag | Narrative Methodologies | en_UK |
dc.subject.tag | Young Children and Technology | en_UK |
rioxxterms.apc | not required | en_UK |
rioxxterms.type | Journal Article/Review | en_UK |
rioxxterms.version | VoR | en_UK |
local.rioxx.author | Wetzel, Victoria| | en_UK |
local.rioxx.author | Zioga, Polina|0000-0003-1317-2074 | en_UK |
local.rioxx.project | Internal Project|University of Stirling|https://isni.org/isni/0000000122484331 | en_UK |
local.rioxx.freetoreaddate | 2023-01-10 | en_UK |
local.rioxx.licence | http://creativecommons.org/licenses/by-nc-nd/4.0/|2023-01-10| | en_UK |
local.rioxx.filename | Wetzel_Zioga-2022-Paintings_Alive.pdf | en_UK |
local.rioxx.filecount | 1 | en_UK |
local.rioxx.source | 2564-4173 | en_UK |
Appears in Collections: | Communications, Media and Culture Journal Articles |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
Wetzel_Zioga-2022-Paintings_Alive.pdf | Fulltext - Published Version | 1.38 MB | Adobe PDF | View/Open |
This item is protected by original copyright |
A file in this item is licensed under a Creative Commons License
Items in the Repository are protected by copyright, with all rights reserved, unless otherwise indicated.
The metadata of the records in the Repository are available under the CC0 public domain dedication: No Rights Reserved https://creativecommons.org/publicdomain/zero/1.0/
If you believe that any material held in STORRE infringes copyright, please contact library@stir.ac.uk providing details and we will remove the Work from public display in STORRE and investigate your claim.