Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/34663
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dc.contributor.authorCrockett Thomas, Philen_UK
dc.date.accessioned2022-11-16T01:00:49Z-
dc.date.available2022-11-16T01:00:49Z-
dc.date.issued2021en_UK
dc.identifier.urihttp://hdl.handle.net/1893/34663-
dc.description.abstractIn this article I share and discuss a poetic work of experimental sociological crime fiction titled “You Will Have Your Day in Court” (in Crockett Thomas, 2020c). In it I reimagine the “true crime” story of “King Con” Paul Bint, who for a period in 2009 successfully impersonated Keir Starmer, the then Director of Public Prosecutions. I first introduce my collaborative approach to writing sociological crime fiction, connections to poststructuralist philosophy and conceptualisation of research as a process of translation. After sharing the piece, I discuss thematic aspects of the work, such as the popular fascination of fraud, desire for explanations for criminal acts, and the narrative constraints placed on people who have experienced criminalisation. I also consider stylistic elements including use of narrative voice, characterisation, and narrative structure. I hope that this article is of interest to scholars aiming to marry poststructuralist thought with an experimental approach to writing sociological fiction.en_UK
dc.language.isoenen_UK
dc.publisherUniversity of Alberta Librariesen_UK
dc.relationCrockett Thomas P (2021) Writing Sociological Crime Fiction: You Will Have Your Day In Court. <i>Art/Research International: A Transdisciplinary Journal</i>, 6 (1), pp. 218-250. https://doi.org/10.18432/ari29549en_UK
dc.rightsThis work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Authors who publish with Art/Research International agree to the following terms: a. Authors retain copyright and grant the journal right of first publication and the right to sublicense the Contribution, in the form in which it is published by the journal, to others under the terms and conditions of the of the Creative Commons Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) that allows others to download the work and share the work with others with an acknowledgement of the work's authorship and initial publication in this journal, but they cannot change the work in any way or use any part of the work commercially. b. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive public distribution and display of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal. c. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access). d. Authors wishing to include items (such as images or other media, or any creative works of others whether previously published or not) must contact the original copyright holder to obtain explicit permission to publish these items in Art/Research International. Writing permission should include: the title(s) of any copyrighted work, original place of publication if applicable, and an acknowledgement of having read Art/Research International's copyright notice. Authors are responsible for obtaining this permission and keeping it in their own records for later verification.en_UK
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/en_UK
dc.subjectsociological fictionen_UK
dc.subjectcrimeen_UK
dc.subjectcriminalisationen_UK
dc.subjecttranslationen_UK
dc.subjectontologyen_UK
dc.titleWriting Sociological Crime Fiction: You Will Have Your Day In Courten_UK
dc.typeJournal Articleen_UK
dc.identifier.doi10.18432/ari29549en_UK
dc.citation.jtitleArt/Research International: A Transdisciplinary Journalen_UK
dc.citation.issn2371-3771en_UK
dc.citation.issn2371-3771en_UK
dc.citation.volume6en_UK
dc.citation.issue1en_UK
dc.citation.spage218en_UK
dc.citation.epage250en_UK
dc.citation.publicationstatusPublisheden_UK
dc.citation.peerreviewedRefereeden_UK
dc.type.statusVoR - Version of Recorden_UK
dc.contributor.funderArts and Humanities Research Councilen_UK
dc.contributor.funderEconomic and Social Research Councilen_UK
dc.author.emailphil.crockettthomas@stir.ac.uken_UK
dc.citation.date22/04/2021en_UK
dc.contributor.affiliationUniversity of Glasgowen_UK
dc.identifier.wtid1849298en_UK
dc.date.accepted2020-12-30en_UK
dcterms.dateAccepted2020-12-30en_UK
dc.date.filedepositdate2022-11-11en_UK
dc.subject.tagCreative Methodsen_UK
dc.subject.tagCrime and Criminal Justiceen_UK
dc.subject.tagFeminist Theoryen_UK
dc.subject.tagResearching with fictionen_UK
rioxxterms.apcnot requireden_UK
rioxxterms.typeJournal Article/Reviewen_UK
rioxxterms.versionVoRen_UK
local.rioxx.authorCrockett Thomas, Phil|en_UK
local.rioxx.projectProject ID unknown|Economic and Social Research Council|http://dx.doi.org/10.13039/501100000269en_UK
local.rioxx.projectProject ID unknown|Arts and Humanities Research Council|http://dx.doi.org/10.13039/501100000267en_UK
local.rioxx.freetoreaddate2022-11-11en_UK
local.rioxx.licencehttp://creativecommons.org/licenses/by-nc-nd/4.0/|2022-11-11|en_UK
local.rioxx.filenamejaimebeck_Crockett_Thomas_2021.pdfen_UK
local.rioxx.filecount1en_UK
local.rioxx.source2371-3771en_UK
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