Please use this identifier to cite or link to this item:
http://hdl.handle.net/1893/34391
Appears in Collections: | Communications, Media and Culture eTheses |
Title: | Surveillance, in/visibility, resistance: Searching for beauty in Scottish feminist campaigns to end men’s violence against women |
Author(s): | McKeown, Clare |
Supervisor(s): | Jelen, Alenka Boyle, Karen |
Keywords: | violence against women gender-based violence men's violence against women Scotland Glasgow Women's Library Zero Tolerance Scottish Women's Aid Rape Crisis Scotland feminism public relations activism domestic abuse rape image-based abuse social semiotics visual grammar campaigns intersectionality |
Issue Date: | 4-Nov-2021 |
Publisher: | University of Stirling University of Strathclyde |
Citation: | McKeown, C. (Forthcoming). Male violence and feminine spaces: Bringing men into the picture in campaigns that challenge men’s violence against women and children. In The Routledge Companion to Gender, Sexuality and Culture. Routledge. |
Abstract: | This thesis explores the visual construction of campaigns addressing men’s violence against women. The analysis focuses on how an expansive notion of beauty operates in the public facing campaign materials produced by three Scottish feminist organisations: Zero Tolerance, Rape Crisis Scotland, and Scottish Women’s Aid. The work is informed by the premise that all representational decisions involve trade-offs and compromises, which are useful to identify and problematise. This work is located within the feminist media studies tradition of exploring how gender norms and hierarchies are constructed, mediated, consumed, and resisted (Harvey, 2020, p. 5). It is additionally informed by a wide range of interdisciplinary sources from the fields of cultural studies and strategic communications. The analysis draws from a history of feminist critiques to interrogate the representation of people in these campaigns. The analysis also draws from literature on visual communication to investigate how elements of form and style construct beautiful (or unbeautiful) imagery and contribute to meaning-making. The methodology is informed by social semiotics as formulated in the work of Hodge, Kress, and van Leeuwen (Hodge & Kress, 1988; Kress, 2010; Kress & van Leeuwen, 1996/2006; van Leeuwen, 2005). It relies heavily on Kress and van Leeuwen’s visual grammar framework to interpret how these campaigns construct meaningful images within specific organisational and cultural contexts. Social semiotic meaning-making is theorised as an inherently fluid and relational process. This visual grammar was used to produce close text readings of the campaigns. These readings were contextualised and supplemented with archival and interview research with feminist campaigners who were involved in the campaign production. An array of visual and narrative themes emerged from this process which can be aligned to three overarching and interrelated concepts relevant to both visual beauty and male violence: surveillance, in/visibility, and resistance. |
Type: | Thesis or Dissertation |
URI: | http://hdl.handle.net/1893/34391 |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
CMcKeownSurveillanceInVisibilityResistance.pdf | Clare McKeown PhD Thesis | 8.09 MB | Adobe PDF | View/Open |
This item is protected by original copyright |
Items in the Repository are protected by copyright, with all rights reserved, unless otherwise indicated.
The metadata of the records in the Repository are available under the CC0 public domain dedication: No Rights Reserved https://creativecommons.org/publicdomain/zero/1.0/
If you believe that any material held in STORRE infringes copyright, please contact library@stir.ac.uk providing details and we will remove the Work from public display in STORRE and investigate your claim.