|Appears in Collections:||eTheses from Faculty of Arts and Humanities legacy departments|
|Title:||Uninhabitable paradoxes? Existentialism and gender representation in the fiction of William McIlvanney|
|Publisher:||University of Stirling|
|Abstract:||First paragraph: "Why Mcllvanney?" This is a question which has constantly recurred during the writing of this thesis. Of all the major contemporary Scottish novelists, Mcllvanney is the one subjected to the least serious critical analysis: added to that, I can think of no other writer in the past thirty years who has maintained a dialogue with Marxism from his earliest work to the present day; who has reinvigorated the detective genre with genuine moral purpose; who has interrogated assumptions about gender and class representation throughout his work; and who has arguably been the most successful author in the past thirty years in making the Scottish novel a genuinely popular and vital part of contemporary Scottish culture.|
|Type:||Thesis or Dissertation|
This item is protected by original copyright
Items in the Repository are protected by copyright, with all rights reserved, unless otherwise indicated.
The metadata of the records in the Repository are available under the CC0 public domain dedication: No Rights Reserved https://creativecommons.org/publicdomain/zero/1.0/
If you believe that any material held in STORRE infringes copyright, please contact email@example.com providing details and we will remove the Work from public display in STORRE and investigate your claim.