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dc.contributor.advisorMills, Catherine-
dc.contributor.authorMcKean, James Andrew-
dc.date.accessioned2021-11-10T10:12:12Z-
dc.date.available2021-11-10T10:12:12Z-
dc.date.issued2020-12-30-
dc.identifier.urihttp://hdl.handle.net/1893/33611-
dc.description.abstractThis thesis is an examination of the perception of the ruined abbey and its relationship to anti-Catholicism in the long eighteenth century. An analysis of antiquarian literature, Graveyard School poetry and Gothic novels will show how they collectively shaped the perception of the ruined abbey in the eighteenth century. This way of viewing the abbey is given the term ‘the Gothic gaze’ – a way of seeing the ruined abbey with a mixture of pleasure and fear, with a conciliatory attitude towards the Catholic faith. This thesis argues that the destroying of the monasteries in the sixteenth century was not an overwhelmingly anti-Catholic activity, accelerated more by opportunism rather than a desire to extinguish Catholicism from the country. This evaluation works as a backdrop to the rest of the thesis. It demonstrates that their appearance on the landscape was more than just a physical reminder of Britain’s rejection of Catholicism. An analysis of antiquarian attitudes to the ruined abbey demonstrates a conciliatory relationship to the monastery’s Catholic past. Even those vociferously opposed to acknowledging this past respond to the site with religious emotional resonance. Further study of Graveyard School poetry and Gothic narratives show how they shaped the perception of the ruin. Graveyard poems articulated the unquantifiable response to mortality and described ruinous scenes using tropes that became synonymous with the genre – the gloomy, mouldering pile, overgrown with ivy, harbouring the solitary animal, bathed in moonlight. Many of these tropes were borrowed by writers of the Gothic, some explicitly so. These stories contained anti-Catholic themes, yet this thesis will argue that they were not all written to embolden or further a religious agenda. Three case studies demonstrate how visitors to the ruined abbey, attracted in part by the gruesome and macabre anti-Catholic tales of the Gothic, took a respectful and earnest interest in the monastery’s Catholic past. Assessing the perception of the ruined abbey challenges the way anti-Catholicism is considered and calls for a reassessment of the British anti-Catholic mindset in the eighteenth century.en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Stirlingen_GB
dc.subjectGothicen_GB
dc.subjectRuined Abbeyen_GB
dc.subjectAnti-Catholicismen_GB
dc.subjectGraveyard Poetryen_GB
dc.subjectReformationen_GB
dc.subjectGothic novelen_GB
dc.subjectAntiquarianismen_GB
dc.subjectProtestantismen_GB
dc.subjectFountains Abbeyen_GB
dc.subjectMelrose Abbeyen_GB
dc.subjectTintern Abbeyen_GB
dc.subjectWilliam Gilpinen_GB
dc.subjectThomas Grayen_GB
dc.subjectWilliam Wordsworthen_GB
dc.subjectPicturesqueen_GB
dc.subjectRuinsen_GB
dc.titleThe Gothic Gaze: The Perception of the Ruined Abbey and Anti-Catholicism in the Long Eighteenth Centuryen_GB
dc.typeThesis or Dissertationen_GB
dc.type.qualificationlevelDoctoralen_GB
dc.type.qualificationnameDoctor of Philosophyen_GB
dc.author.emailj.a.mckean@stir.ac.uken_GB
Appears in Collections:History and Politics eTheses

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