Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/33575
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dc.contributor.advisorVine, Angus-
dc.contributor.advisorJackson Williams, Kelsey-
dc.contributor.authorWallace, Lorna-
dc.date.accessioned2021-11-08T16:42:04Z-
dc.date.available2021-11-08T16:42:04Z-
dc.date.issued2021-04-22-
dc.identifier.urihttp://hdl.handle.net/1893/33575-
dc.description.abstractThis thesis demonstrates that duty is a central feature of the early modern history play. Specifically, it argues that history plays contribute to the on-going discussion throughout the period about monarchs and statesmen attempting to reconcile the idealized Ciceronian conception of duty with the cruel realities of the political world. History plays provide a space to test out these ideals and the vast majority elucidate that while these ideals are desirable, they are often impractical, and sometimes impossible, to abide by. The plays of the educational environments examined here (the universities of Oxford and Cambridge, the Inns of Court, and the English Jesuit colleges) often present audiences and readers with examples to imitate or avoid, but even in these didactically straightforward plays there is an acknowledgement of the burden of duty. The plays of the professional playhouses in London rarely seek to instil dutiful ideals in the audience; instead, they highlight the unresolved difficulties of duty and occasionally declare that ideals are incompatible with reality. Collectively, these various sites of performance indicate that duty was a particular concern of all history plays, but also that dutiful ideals were being constantly tested against reality. Thus, they challenged the ideal ethical framework which was inherited from the classical world. This study will not only develop a deeper understanding of how duty was conceived in the history play, and in early modern society, but will also develop a better understanding of how the various stages utilized dramatic and pedagogical techniques to explore issues of duty, often in remarkably similar entertaining and erudite ways. By examining plays from different sites, dramatists, and historical genres within the same study, it will be shown that history plays across the spectrum were engaged in the balancing act of instilling ideals of duty while also interrogating those ideals.en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Stirlingen_GB
dc.subjectEarly Modern dramaen_GB
dc.subjectHistory playsen_GB
dc.subjectUniversity dramaen_GB
dc.subjectInns of Courten_GB
dc.subjectJesuitsen_GB
dc.subjectWilliam Shakespeareen_GB
dc.subjectDutyen_GB
dc.subjectRenaissanceen_GB
dc.title'All tragedies are fled from state to stage': The Ideals of Duty in Early Modern History Plays, 1561-1624en_GB
dc.typeThesis or Dissertationen_GB
dc.type.qualificationlevelDoctoralen_GB
dc.type.qualificationnameDoctor of Philosophyen_GB
dc.contributor.funderArts and Humanities Research Councilen_GB
dc.author.emaillornawallace1994@gmail.comen_GB
Appears in Collections:Literature and Languages eTheses

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