|Appears in Collections:||Communications, Media and Culture Book Chapters and Sections|
|Title:||'Blood, Sugar, Sex, Magik': Unearthing Gay Male Anxieties in Queer Gothic Soaps Dante’s Cove (2005-2007) and The Lair (2007-2009)’|
|Sponsor:||University of Hertfordshire|
|Citation:||Elliott-Smith D (2014) 'Blood, Sugar, Sex, Magik': Unearthing Gay Male Anxieties in Queer Gothic Soaps Dante’s Cove (2005-2007) and The Lair (2007-2009)’. In: Stewart M (ed.) Melodrama in Contemporary Film and Television. London: Palgrave Macmillan, pp. 96-113. https://doi.org/10.1057/9781137319852_6|
|Abstract:||Academic studies of male homosexuality in horror film and television have often been focused on gay masculinity as sub-textual and symbolic and have often discussed the threat that queer, gay and lesbian sexualities pose to an assumed heterosexual spectator. Scholars including Robin Wood, Carol Clover, Richard Dyer, Ellis Hanson and Harry M. Benshoff1 have found that much of its representation has been symbolic or implicit, whereby homosexuality must be teased out of its place in the shadows via queer interpretation. In the vast majority of such ‘closeted’ Gothic texts, spectators must first make the leap of reading the symbolic homosexual in the supernatural; few consider its explicit presentation. Contemporary ‘out’ queer Gothic television’s representations of gay masculinity reveal more about gay male anxieties in the early twenty-first century than heterosexual ones. More specifically, recently 2 queer Gothic soap operas such as Dante’s Cove (2005–2007, Dir. Sam Irving) and The Lair (2007–2009, Dir. Fred Olen Ray) work to foreground gay men’s anxieties about their judgment by heteronormative standards. Heteronormativity positions the gay man as feminine, as the ‘abnormality’ of his gender (perceived as feminine-masculine) seems to uphold the assumed deviancy of his sexuality and gives credence to the heterosexual man’s performance of masculinity.|
|Rights:||The publisher does not allow this work to be made publicly available in this Repository. Please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study.|
|Elliott-Smith_BookChapter_2020.pdf||Fulltext - Published Version||113.19 kB||Adobe PDF||Under Permanent Embargo Request a copy|
Note: If any of the files in this item are currently embargoed, you can request a copy directly from the author by clicking the padlock icon above. However, this facility is dependent on the depositor still being contactable at their original email address.
This item is protected by original copyright
Items in the Repository are protected by copyright, with all rights reserved, unless otherwise indicated.
The metadata of the records in the Repository are available under the CC0 public domain dedication: No Rights Reserved https://creativecommons.org/publicdomain/zero/1.0/
If you believe that any material held in STORRE infringes copyright, please contact firstname.lastname@example.org providing details and we will remove the Work from public display in STORRE and investigate your claim.