Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/31063
Appears in Collections:Communications, Media and Culture Book Chapters and Sections
Title: 'Blood, Sugar, Sex, Magik': Unearthing Gay Male Anxieties in Queer Gothic Soaps Dante’s Cove (2005-2007) and The Lair (2007-2009)’
Author(s): Elliott-Smith, Darren
Contact Email: darren.elliott-smith@stir.ac.uk
Editor(s): Stewart, Michael
Sponsor: University of Hertfordshire
Citation: Elliott-Smith D (2014) 'Blood, Sugar, Sex, Magik': Unearthing Gay Male Anxieties in Queer Gothic Soaps Dante’s Cove (2005-2007) and The Lair (2007-2009)’. In: Stewart M (ed.) Melodrama in Contemporary Film and Television. London: Palgrave Macmillan, pp. 96-113. https://doi.org/10.1057/9781137319852_6
Keywords: Gender Studies
Genre Studies
Horror Television
LGBTQ Studies
Queer Horror
Horror Film
Melodrama
Soaps
Gothic
Queer Studies
Queer Theory
Issue Date: 2014
Abstract: Academic studies of male homosexuality in horror film and television have often been focused on gay masculinity as sub-textual and symbolic and have often discussed the threat that queer, gay and lesbian sexualities pose to an assumed heterosexual spectator. Scholars including Robin Wood, Carol Clover, Richard Dyer, Ellis Hanson and Harry M. Benshoff1 have found that much of its representation has been symbolic or implicit, whereby homosexuality must be teased out of its place in the shadows via queer interpretation. In the vast majority of such ‘closeted’ Gothic texts, spectators must first make the leap of reading the symbolic homosexual in the supernatural; few consider its explicit presentation. Contemporary ‘out’ queer Gothic television’s representations of gay masculinity reveal more about gay male anxieties in the early twenty-first century than heterosexual ones. More specifically, recently 2 queer Gothic soap operas such as Dante’s Cove (2005–2007, Dir. Sam Irving) and The Lair (2007–2009, Dir. Fred Olen Ray) work to foreground gay men’s anxieties about their judgment by heteronormative standards. Heteronormativity positions the gay man as feminine, as the ‘abnormality’ of his gender (perceived as feminine-masculine) seems to uphold the assumed deviancy of his sexuality and gives credence to the heterosexual man’s performance of masculinity.
Rights: The publisher does not allow this work to be made publicly available in this Repository. Please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study.
DOI Link: 10.1057/9781137319852_6

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