Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/30859
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dc.contributor.authorJeffrey, Stuarten_UK
dc.contributor.authorJones, Siânen_UK
dc.contributor.authorMaxwell, Mhairien_UK
dc.contributor.authorHale, Alexen_UK
dc.contributor.authorJones, Caraen_UK
dc.date.accessioned2020-03-28T01:04:05Z-
dc.date.available2020-03-28T01:04:05Z-
dc.date.issued2020-09en_UK
dc.identifier.urihttp://hdl.handle.net/1893/30859-
dc.description.abstractIn this paper, we discuss how community co-production of heritage records facilitates the production and negotiation of new forms of value and significance. We draw on case studies from the ACCORD project, which used 3D digital technologies for community engagement through co-creation, to explore how a site’s significance can be affected and challenged through community recording. Whilst multiple modes of recording operate in this way, digital 3D recording, long held as the sole domain of the technical expert, is often deployed by heritage professionals as a means of enhancing authorised historic and scientific values through the sophisticated and precise recording of a site’s physical structure. Here we argue that these recording techniques can also offer a means of exploring and challenging existing authorised regimes of significance and insignificance, giving voice to alternative and richer perspectives through the recording process itself, as much as through the resultant record. This challenges orthodox thinking about both the primary purpose and effects of digital recording and opens up new directions for their use in heritage practice.en_UK
dc.language.isoenen_UK
dc.publisherTaylor & Francis (Routledge)en_UK
dc.relationJeffrey S, Jones S, Maxwell M, Hale A & Jones C (2020) 3D visualisation, communities and the production of significance. International Journal of Heritage Studies, 26 (9), pp. 885-900. https://doi.org/10.1080/13527258.2020.1731703en_UK
dc.rights© 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.en_UK
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/en_UK
dc.subject3Den_UK
dc.subjectdigital heritageen_UK
dc.subjectvalueen_UK
dc.subjectcommunity co-productionen_UK
dc.subjectsignificanceen_UK
dc.title3D visualisation, communities and the production of significanceen_UK
dc.typeJournal Articleen_UK
dc.identifier.doi10.1080/13527258.2020.1731703en_UK
dc.citation.jtitleInternational Journal of Heritage Studiesen_UK
dc.citation.issn1470-3610en_UK
dc.citation.issn1352-7258en_UK
dc.citation.volume26en_UK
dc.citation.issue9en_UK
dc.citation.spage885en_UK
dc.citation.epage900en_UK
dc.citation.publicationstatusPublisheden_UK
dc.citation.peerreviewedRefereeden_UK
dc.type.statusVoR - Version of Recorden_UK
dc.contributor.funderArts and Humanities Research Councilen_UK
dc.citation.date27/02/2020en_UK
dc.contributor.affiliationGlasgow School of Arten_UK
dc.contributor.affiliationHistoryen_UK
dc.contributor.affiliationV&A Dundeeen_UK
dc.contributor.affiliationHistoric Environment Scotlanden_UK
dc.contributor.affiliationArchaeology Scotlanden_UK
dc.identifier.isiWOS:000517183600001en_UK
dc.identifier.scopusid2-s2.0-85080127294en_UK
dc.identifier.wtid1588412en_UK
dc.contributor.orcid0000-0001-6157-7848en_UK
dc.date.accepted2020-02-15en_UK
dc.date.filedepositdate2020-03-27en_UK
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