Please use this identifier to cite or link to this item:
http://hdl.handle.net/1893/30688
Appears in Collections: | Communications, Media and Culture Book Chapters and Sections |
Title: | The Art Of Maximal Ventriloquoy - Femininity As Labour In The Films Of Rachel Maclean |
Author(s): | Neely, Sarah Smith, Sarah |
Contact Email: | sarah.neely@stir.ac.uk |
Editor(s): | Reynolds, Lucy |
Citation: | Neely S & Smith S (2019) The Art Of Maximal Ventriloquoy - Femininity As Labour In The Films Of Rachel Maclean. In: Reynolds L (ed.) Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury, pp. 165-177. https://www.bloomsbury.com/uk/women-artists-feminism-and-the-moving-image-9781784537005/ |
Issue Date: | 2019 |
Date Deposited: | 27-Mar-2019 |
Rights: | This item has been embargoed for a period. During the embargo please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. Publisher policy allows this work to be made available in this repository. Published in Reynolds L (ed.) Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury, pp. 165-177: https://www.bloomsbury.com/uk/women-artists-feminism-and-the-moving-image-9781350113282/ |
URL: | https://www.bloomsbury.com/uk/women-artists-feminism-and-the-moving-image-9781784537005/ |
Licence URL(s): | https://storre.stir.ac.uk/STORREEndUserLicence.pdf |
Files in This Item:
File | Description | Size | Format | |
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The art of maximal ventriloquoy - femininity as labour in the films of rachel maclean (final).pdf | Fulltext - Accepted Version | 446.74 kB | Adobe PDF | View/Open |
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