|Appears in Collections:||Communications, Media and Culture Book Chapters and Sections|
|Title:||The Art Of Maximal Ventriloquoy - Femininity As Labour In The Films Of Rachel Maclean|
|Citation:||Neely S & Smith S (2019) The Art Of Maximal Ventriloquoy - Femininity As Labour In The Films Of Rachel Maclean. In: Reynolds L (ed.) Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury, pp. 165-177. https://www.bloomsbury.com/uk/women-artists-feminism-and-the-moving-image-9781784537005/|
|Rights:||This item has been embargoed for a period. During the embargo please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. Publisher policy allows this work to be made available in this repository. Published in Reynolds L (ed.) Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury, pp. 165-177: https://www.bloomsbury.com/uk/women-artists-feminism-and-the-moving-image-9781350113282/|
|The art of maximal ventriloquoy - femininity as labour in the films of rachel maclean (final).pdf||Fulltext - Accepted Version||446.74 kB||Adobe PDF||View/Open|
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