Please use this identifier to cite or link to this item:
http://hdl.handle.net/1893/30248
Appears in Collections: | Literature and Languages Journal Articles |
Peer Review Status: | Refereed |
Title: | Reframing Identities in Argentine Documentary Cinema: The Emergence of LGBT People as Political Subjects in Rosa Patria (Loza, 2008-2009) and Putos peronistas (Cesatti, 2011) |
Other Titles: | Re-enmarcando identidades en el cine documental argentino: la emergencia de personas LGBT como sujetos políticos en Rosa Patria (Loza, 2008-2009) y Putos peronistas (Cesatti, 2011) |
Author(s): | Olivera, Guillermo Elpidio |
Keywords: | Argentine documentary cinema Sexuality and gender Frames of intelligibility and recognition Intersectional identities Sex-gender identity rhetoric Cine documental argentino Sexualidad y Género Marcos de inteligibilidad y reconocimiento Identidades interseccionales sexualidad-género-clase-etnicidad-afinidad política Retóricas identitarias sexo-genéricas |
Issue Date: | Mar-2021 |
Date Deposited: | 4-Oct-2019 |
Citation: | Olivera GE (2021) Reframing Identities in Argentine Documentary Cinema: The Emergence of LGBT People as Political Subjects in Rosa Patria (Loza, 2008-2009) and Putos peronistas (Cesatti, 2011) [Re-enmarcando identidades en el cine documental argentino: la emergencia de personas LGBT como sujetos políticos en Rosa Patria (Loza, 2008-2009) y Putos peronistas (Cesatti, 2011)]. Latin American Perspectives, 48 (2), pp. 155-175. https://doi.org/10.1177/0094582X20907117 |
Abstract: | Utilizando herramientas de la semiótica del cine, la teoría queer y la teoría del discurso de Laclau, Mouffe y Žižek, este artículo propone un análisis enunciativo y retórico de Rosa Patria (Loza, 2008-2009) y Putos peronistas, cumbia del sentimiento (Cesatti, 2011). El análisis se concentra en cambios de marcos políticos y cinematográficos que hacen posible la transformación de las personas LGBT en sujetos políticos en el documental argentino del siglo XXI. El trabajo argumenta que esas marcas metaenunciativas y metadiegéticas que los procesos de re-enmarque dejan en los textos audiovisuales, pueden leerse como pasaje discursivo de “elemento” a “momento” (Laclau y Mouffe) y como simbolización cinematográfico-reflexiva del acontecimiento traumático de la dislocación o antagonismo que instituye a dichas identidades en contextos locales situados, contemporáneos a las luchas por una ciudadanía sexual diversa conducentes a la promulgación de la Ley de Matrimonio Igualitario (2010) y la Ley de Identidad de Género (2012). |
DOI Link: | 10.1177/0094582X20907117 |
Rights: | [0094582x20907117.pdf] This article is distributed under the terms of the Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access page (https://us.sagepub.com/en-us/nam/open-access-at-sage). [GSF-08R_final revised version by GO - 31.7.2019 _stored by Univ of Stirling_.pdf] Olivera GE, Reframing Identities in Argentine Documentary Cinema: The Emergence of LGBT People as Political Subjects in Rosa Patria (Loza, 2008–2009) and Putos peronistas (Cesatti, 2011) [Re-enmarcando identidades en el cine documental argentino: la emergencia de personas LGBT como sujetos políticos en Rosa Patria (Loza, 2008-2009) y Putos peronistas (Cesatti, 2011)], Latin American Perspectives (Forthcoming). Copyright © 2019 Latin American Perspectives. Reprinted by permission of SAGE Publications. DOI: https://doi.org/10.1177/0094582X20907117 |
Notes: | This article was originally written in Spanish and was translated for inclusion in the journal. |
Licence URL(s): | http://creativecommons.org/licenses/by/4.0/ https://storre.stir.ac.uk/STORREEndUserLicence.pdf |
Files in This Item:
File | Description | Size | Format | |
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0094582x20907117.pdf | Fulltext - Published Version | 129.58 kB | Adobe PDF | View/Open |
GSF-08R_final revised version by GO - 31.7.2019 _stored by Univ of Stirling_.pdf | Fulltext - Accepted Version | 403.04 kB | Adobe PDF | View/Open |
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