Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/30044
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dc.contributor.authorFleming, David H.en_UK
dc.date.accessioned2019-08-31T00:00:07Z-
dc.date.available2019-08-31T00:00:07Z-
dc.date.issued2019-08-27en_UK
dc.identifier.urihttp://hdl.handle.net/1893/30044-
dc.description.abstractRecognising that ‘Chinese cinema(s)’ have spearheaded calls for a ‘critical transnationalism’ I here take the recent neologism Huallywood on its word—but not its tone—to posit an alternative ‘third culture’ “Hàullywood” (from huà (化) drawing in associations with change and transformation) model that helps us understand the making and marketing of mega-budget and mega-revenue transborder films produced in-between what we might call global Hollywood and transnational Huallywood. Seeing Huallywood as a multi-faceted assemblage, I also harnesses the mythical figure of the chimera as a conceptual guide, which in turn becomes articulated to discussion of a cinematic ‘return’ of the economic behemoth that the historian Niall Ferguson’s and economist Moritz Schularick christened Chimerica. Films such as The Great Wall, and Rogue One: A Star Wars Story serve as illustrative examples of what a Chimerican or Hàullywood cinema looks like today: this being neither Hollywood or Huallywood, but rather composed of bits and pieces of each. By building its critical arguments through a consideration of news texts and cinematic paratexts, this essay also highlights the importance of studying extra-cinematic media commonly threatened by problems of ‘paratextual ephemerality’; which all the same play an important role in producing cinematic discourses.en_UK
dc.language.isoenen_UK
dc.publisherInforma UK Limiteden_UK
dc.relationFleming DH (2019) Third-culture Huàllywood: or, 'Chimerica' the cinematic return. Transnational Screens p. 17. https://doi.org/10.1080/25785273.2019.1658932en_UK
dc.rightsThis item has been embargoed for a period. During the embargo please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. This is an Accepted Manuscript of an article published by Taylor & Francis Group in Transnational Screens on 27/08/2019, available online: https://doi.org/10.1080/25785273.2019.1658932en_UK
dc.rights.urihttps://storre.stir.ac.uk/STORREEndUserLicence.pdfen_UK
dc.subjectHuallywooden_UK
dc.subjectcritical transnationalismen_UK
dc.subjectthird cultureen_UK
dc.subjectephemeral mediaen_UK
dc.subjectThe Great Wallen_UK
dc.subjectStar Warsen_UK
dc.titleThird-culture Huàllywood: or, 'Chimerica' the cinematic returnen_UK
dc.typeJournal Articleen_UK
dc.rights.embargodate2021-02-28en_UK
dc.rights.embargoreason[Rep_Final draft DHF Huallywood sf.pdf] Publisher requires embargo of 18 months after formal publication.en_UK
dc.identifier.doi10.1080/25785273.2019.1658932en_UK
dc.citation.jtitleTransnational Screensen_UK
dc.citation.issn2578-5265en_UK
dc.citation.issn2578-5273en_UK
dc.citation.epage17en_UK
dc.citation.publicationstatusPublisheden_UK
dc.citation.peerreviewedRefereeden_UK
dc.type.statusAM - Accepted Manuscripten_UK
dc.author.emaildavid.fleming@stir.ac.uken_UK
dc.citation.date27/08/2019en_UK
dc.description.notesOutput status: Forthcoming/Available Onlineen_UK
dc.contributor.affiliationCommunications, Media and Cultureen_UK
dc.identifier.wtid1433714en_UK
dc.contributor.orcid0000-0002-3176-0745en_UK
dc.date.accepted2019-08-13en_UK
dc.description.refREF Compliant by Deposit in Stirling's Repositoryen_UK
dc.date.filedepositdate2019-08-30en_UK
Appears in Collections:Communications, Media and Culture Journal Articles

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