Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/29242
Appears in Collections:Communications, Media and Culture Journal Articles
Peer Review Status: Refereed
Title: Encoding the UX: User Interface as a Site of Encounter between Data Journalists and Their Constructed Audiences
Author(s): Anderson, Bissie
Borges Rey, Eddy
Contact Email: eddy.borges-rey@stir.ac.uk
Keywords: audiences
data journalism
encoding
interactivity
multimodality
user experience
user interface
Issue Date: 2019
Citation: Anderson B & Borges Rey E (2019) Encoding the UX: User Interface as a Site of Encounter between Data Journalists and Their Constructed Audiences. Digital Journalism, 7 (9), pp. 1253-1269. https://doi.org/10.1080/21670811.2019.1607520
Abstract: This paper examines how data journalism producers encode their audiences’ user experience – or how they construct meaning within the parameters of a user interface. We argue that interfaces enact data journalists’ perceptual image of their audience, and are therefore a meaningful object of study to explore: (a) the relationship between data reporters and their publics; (b) the tensions that emerge from that relationship; and (c) how those tensions are negotiated. Our combined evaluation of producer and artefact perspectives is based on interviews with 12 data journalism producers in legacy UK newsrooms, and interaction design, and multimodal discourse analysis of 12 stories produced by our informants. Findings suggest that data journalism producers’ efforts to create content that resonates with their audiences have resulted in the diversification of data journalism formats, and a more mature view of interactivity, with producers striving to offer experiences in whose meaning negotiation the reader takes centre stage. The reader is perceived as a co-creator of meaning through the expectation of either physical interaction or cognitive immersion. Yet, the paternalistic element, even in the most discovery-/reader-driven stories, remains stronger, manifesting in a carefully crafted experience and pointing to journalism producers’ traditional self-perception as gatekeepers of information.
DOI Link: 10.1080/21670811.2019.1607520
Rights: © 2019 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group This is an Open Access article distributed under the terms of the Creative Commons Attribution license (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Licence URL(s): http://creativecommons.org/licenses/by/4.0/

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