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http://hdl.handle.net/1893/28242
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Morgan, Jennie | en_UK |
dc.date.accessioned | 2018-11-20T01:00:18Z | - |
dc.date.available | 2018-11-20T01:00:18Z | - |
dc.date.issued | 2012-12-31 | en_UK |
dc.identifier.uri | http://hdl.handle.net/1893/28242 | - |
dc.description.abstract | Traditionally, museums have been visual - 'Do Not Touch' - spaces. However, interactive and multisensory media are increasingly being used to help pursue wider democratic goals of appealing to new and more diverse audiences. This essay examines how one museum, Kelvingrove Art Gallery and Museum in Glasgow (Scotland), has sought to reconfigure its sensory regimes of display. It discusses the incorporation of multiple sensory logics and queries whether one potential result of such mixings is a kind of sensory disorientation. | en_UK |
dc.language.iso | en | en_UK |
dc.publisher | National Library of Serbia | en_UK |
dc.relation | Morgan J (2012) The multi-sensory museum. Glasnik Etnografskog instituta SANU, 60 (1), pp. 65-77. https://doi.org/10.2298/GEI1201065M | en_UK |
dc.rights | Published under a CC BY-NC-ND (https://creativecommons.org/licenses/by-nc-nd/3.0/rs/deed.sr_LATN) | en_UK |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/ | en_UK |
dc.subject | museum | en_UK |
dc.subject | Glasgow | en_UK |
dc.subject | multisensory | en_UK |
dc.subject | touch | en_UK |
dc.subject | display | en_UK |
dc.subject | disorientation | en_UK |
dc.title | The multi-sensory museum | en_UK |
dc.type | Journal Article | en_UK |
dc.identifier.doi | 10.2298/GEI1201065M | en_UK |
dc.citation.jtitle | Glasnik Etnografskog instituta SANU | en_UK |
dc.citation.issn | 2334-8259 | en_UK |
dc.citation.issn | 0350-0861 | en_UK |
dc.citation.volume | 60 | en_UK |
dc.citation.issue | 1 | en_UK |
dc.citation.spage | 65 | en_UK |
dc.citation.epage | 77 | en_UK |
dc.citation.publicationstatus | Published | en_UK |
dc.citation.peerreviewed | Refereed | en_UK |
dc.type.status | VoR - Version of Record | en_UK |
dc.contributor.affiliation | University of Manchester | en_UK |
dc.identifier.wtid | 941454 | en_UK |
dc.contributor.orcid | 0000-0002-5757-8888 | en_UK |
dc.date.accepted | 2011-09-16 | en_UK |
dcterms.dateAccepted | 2011-09-16 | en_UK |
dc.date.filedepositdate | 2018-10-26 | en_UK |
rioxxterms.apc | not charged | en_UK |
rioxxterms.type | Journal Article/Review | en_UK |
rioxxterms.version | VoR | en_UK |
local.rioxx.author | Morgan, Jennie|0000-0002-5757-8888 | en_UK |
local.rioxx.project | Internal Project|University of Stirling|https://isni.org/isni/0000000122484331 | en_UK |
local.rioxx.freetoreaddate | 2018-11-06 | en_UK |
local.rioxx.licence | http://creativecommons.org/licenses/by-nc-nd/3.0/|2018-11-06| | en_UK |
local.rioxx.filename | Morgan 2011.pdf | en_UK |
local.rioxx.filecount | 1 | en_UK |
local.rioxx.source | 2334-8259 | en_UK |
Appears in Collections: | History and Politics Journal Articles |
Files in This Item:
File | Description | Size | Format | |
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Morgan 2011.pdf | Fulltext - Published Version | 340.76 kB | Adobe PDF | View/Open |
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