Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/28045
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dc.contributor.authorHill, Lornaen_UK
dc.date.accessioned2018-10-31T09:45:16Z-
dc.date.available2018-10-31T09:45:16Z-
dc.date.issued2017en_UK
dc.identifier.urihttp://hdl.handle.net/1893/28045-
dc.description.abstractThis study will explore the role of female authors in contemporary Scottish crime fiction. Over the past thirty years, women writers have overhauled the traditionally male dominated genre of crime fiction by writing about strong female characters who drive the plot and solve the crimes. Authors including Val McDermid, Denise Mina and Lin Anderson are just a few of the women who have challenged the expectation of gender and genre. By setting their novels in contemporary society they reflect a range of social and political issues through the lens of a female protagonist. By closely examining the female characters, both journalists, in Val McDermid’s Lindsay Gordon series and Denise Mina’s Paddy Meehan series, I wish to explore the issue of gender through these writers’ perspectives. This essay documents the influence of these writers on my own practice-based research which involves writing a crime novel set in a post referendum Scotland. I examine a progressive and contemporary Scottish society, where women hold many senior positions in public life, and investigate whether this has an effect on the outcome of crimes. Through this narrative, my main character will focus on the current and largely hidden crimes of human trafficking and domestic abuse. By doing this I examine the ways in which the modern crime novel has evolved to cross genre boundaries. In addition to focusing on a crime, the victims and witnesses, today’s crime novels are tackling social issues to reflect society’s changing attitudes and values.en_UK
dc.language.isoenen_UK
dc.publisherDe Gruyter Openen_UK
dc.relationHill L (2017) Bloody Women: How Female Authors Have Transformed the Scottish Contemporary Crime Fiction Genre. American, British and Canadian Studies, 28 (1), pp. 52-71. https://doi.org/10.1515/abcsj-2017-0004en_UK
dc.rightsArticle has been published under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (https://creativecommons.org/licenses/by-nc-nd/4.0/)en_UK
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/en_UK
dc.subjectwomenen_UK
dc.subjectcrime fictionen_UK
dc.subjectfemale protagonistsen_UK
dc.subjectVal McDermiden_UK
dc.subjectDenise Minaen_UK
dc.subjectLin Andersonen_UK
dc.subjectScottishen_UK
dc.subjectdomestic abuseen_UK
dc.subjecthuman traffickingen_UK
dc.subjectgenderen_UK
dc.titleBloody Women: How Female Authors Have Transformed the Scottish Contemporary Crime Fiction Genreen_UK
dc.typeJournal Articleen_UK
dc.identifier.doi10.1515/abcsj-2017-0004en_UK
dc.citation.jtitleAmerican, British and Canadian Studies Journalen_UK
dc.citation.issn1841-964Xen_UK
dc.citation.issn1841-1487en_UK
dc.citation.volume28en_UK
dc.citation.issue1en_UK
dc.citation.spage52en_UK
dc.citation.epage71en_UK
dc.citation.publicationstatusPublisheden_UK
dc.citation.peerreviewedRefereeden_UK
dc.type.statusVoR - Version of Recorden_UK
dc.citation.date01/06/2017en_UK
dc.contributor.affiliationLiterature and Languages - Divisionen_UK
dc.identifier.scopusid2-s2.0-85054001419en_UK
dc.identifier.wtid1041125en_UK
dc.date.accepted2017-06-01en_UK
dcterms.dateAccepted2017-06-01en_UK
dc.date.filedepositdate2018-10-26en_UK
rioxxterms.apcnot chargeden_UK
rioxxterms.typeJournal Article/Reviewen_UK
rioxxterms.versionVoRen_UK
local.rioxx.authorHill, Lorna|en_UK
local.rioxx.projectInternal Project|University of Stirling|https://isni.org/isni/0000000122484331en_UK
local.rioxx.freetoreaddate2018-10-26en_UK
local.rioxx.licencehttp://creativecommons.org/licenses/by-nc-nd/4.0/|2018-10-26|en_UK
local.rioxx.filenameBloody Women_ Female Authors.pdfen_UK
local.rioxx.filecount1en_UK
local.rioxx.source1841-964Xen_UK
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