Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/27352
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dc.contributor.advisorBell, Liam-
dc.contributor.advisorSquires, Claire-
dc.contributor.authorHill, Lorna-
dc.date.accessioned2018-06-08T08:52:34Z-
dc.date.issued2017-11-29-
dc.identifier.citationJournal of American, British & Canadian Studies Bloody Women: How Female Authors Have Transformed the Scottish Contemporary Crime Fiction Genre (June 2017) https://www.degruyter.com/view/j/abcsjen_GB
dc.identifier.urihttp://hdl.handle.net/1893/27352-
dc.description.abstractThis study will explore the role of female authors and their female protagonists in contemporary Scottish and Nordic crime fiction. Authors including Val McDermid, Denise Mina, Lin Anderson and Liza Marklund are just a few of the women who have challenged the expectation of gender in the crime fiction genre. By setting their novels in contemporary society, they reflect a range of social and political issues through the lens of a female protagonist. By closely examining the female characters, all journalists, in Val McDermid’s Lindsay Gordon series; Denise Mina’s Paddy Meehan series; Anna Smith’s books about Rosie Gilmour; and Liza Marklund’s books about Annika Bengzton, I explore the issue of gender through these writers’ perspectives and also draw parallels between their societies. I document the influence of these writers on my own practice-based research, a novel, The Invisible Chains, set in post-Referendum Scotland. The thesis will examine and define the role of the female protagonist, offer a feminist reading of contemporary crime fiction, and investigate how the rise of human trafficking, the problem of domestic abuse in Scotland and society’s changing attitudes and values are reflected in contemporary crime novels, before discussing the narrative structures and techniques employed in the writing of The Invisible Chains. This novel allows us to consider the role of women in a contemporary and progressive society where women hold many senior positions in public life and examine whether they manage successfully to challenge traditional patriarchal hierarchies. The narrative is split between journalist Megan Ross, The Girl, a victim of human trafficking, and Trudy, who is being domestically abused, thus pulling together the themes of the critical genesis in the creative work. By focusing on the protagonist, the victims and raising awareness of human trafficking and domestic abuse, The Invisible Chains, an original creative work, reflects a contemporary society’s changing attitudes, problems and values.en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Stirlingen_GB
dc.subjectwomenen_GB
dc.subjectcrime fictionen_GB
dc.subjectfemale protagonistsen_GB
dc.subjectScottishen_GB
dc.subjectScandinavianen_GB
dc.subjectVal McDermiden_GB
dc.subjectDenise Minaen_GB
dc.subjectLin Andersonen_GB
dc.subjectAnna Smithen_GB
dc.subjectLiza Marklunden_GB
dc.subjectdomestic abuseen_GB
dc.subjecthuman traffickingen_GB
dc.subjectgenderen_GB
dc.subjectfeminismen_GB
dc.subject.lcshDetective and mystery stories Women authorsen_GB
dc.subject.lcshWomen authors, Scottishen_GB
dc.subject.lcshWomen authors, Swedishen_GB
dc.subject.lcshWomen in literature 20th centuryen_GB
dc.subject.lcshMcDermid, Val History and criticismen_GB
dc.subject.lcshMina, Denise History and criticismen_GB
dc.subject.lcshAnderson, Lin History and criticismen_GB
dc.subject.lcshSmith, Anna,1952- History and criticismen_GB
dc.subject.lcshMarklund, Liza,1962- History and criticismen_GB
dc.titleBloody Women: A critical-creative examination of how female protagonists have transformed contemporary Scottish and Nordic crime fictionen_GB
dc.typeThesis or Dissertationen_GB
dc.relation.referencesSee Bibliographyen_GB
dc.type.qualificationlevelDoctoralen_GB
dc.type.qualificationnameDoctor of Philosophyen_GB
dc.rights.embargodate2019-06-30-
dc.rights.embargoreasonThe creative part to this thesis - which is also referred to in the critical section - is currently on submission to publishers. For commercial reasons I would wish to delay public access to the thesis until I know the outcome of this process. I have requested a delay of 12 months, however would be happy to adjust this accordingly depending on the outcome of the submissions process.en_GB
dc.contributor.funderArts and Humanities Research Council (AHRC)en_GB
dc.author.emaillornaehill@gmail.comen_GB
dc.rights.embargoterms2019-07-01en_GB
dc.rights.embargoliftdate2019-07-01-
Appears in Collections:Literature and Languages eTheses

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