Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/27320
Appears in Collections:Communications, Media and Culture Journal Articles
Peer Review Status: Refereed
Title: Unthinking Ethnocentrism: Ecocritical Approaches to Ethnic Diversity in Nordic Screen Media
Author(s): Moffat, Kate
Kaapa, Pietari
Contact Email: k.l.moffat@stir.ac.uk
Keywords: ecotone
multiculturalism
folkhemmet
Nordic media
inclusivity
Critical Race Theory
Issue Date: Jun-2018
Citation: Moffat K & Kaapa P (2018) Unthinking Ethnocentrism: Ecocritical Approaches to Ethnic Diversity in Nordic Screen Media. Journal of Scandinavian Cinema, 8 (2), pp. 149-165. https://doi.org/10.1386/jsca.8.2.149_1
Abstract: This article develops an ecocritical perspective on the ways Nordic film and television has addressed ethnic and racial diversity. Here, we develop the term ‘ecotone’, a concept originating in ecocritical studies that characterizes the transitional space linking separate ecological communities. Focusing on the popular noir series Bron/Broen (The Bridge) (2011–2018), Hannes Holm’s Swedish comedy En man som heter Ove (A Man Called Ove) (2015), the Norwegian teen drama Skam ('Shame') (2015-17) and Ruben Östlund’s controversial film Play (2011), we claim the ecotone, when adopted as a form of mediated intervention, allows us to interrogate the taken for granted ideological foundations of Nordic societies. This involves unpacking the representations of material culture and spatial interconnectedness that define the immigrant Other in relation to their environment.
DOI Link: 10.1386/jsca.8.2.149_1
Rights: This item has been embargoed for a period. During the embargo please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. Published in Journal of Scandinavian Cinema, Volume 8, Number 2, pp. 149-165. https://doi.org/10.1386/jsca.8.2.149_1. Copyright Intellect

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