|Appears in Collections:||Literature and Languages Journal Articles|
|Peer Review Status:||Refereed|
|Title:||Reading the Signs: Chad Harbach’s Art of Fielding, Baseball, and the Graphic Imagination|
|Author(s):||Edwards, Justin D.|
|Citation:||Edwards JD (2018) Reading the Signs: Chad Harbach’s Art of Fielding, Baseball, and the Graphic Imagination. Critique: Studies in Contemporary Fiction, 59 (5), pp. 509-518. https://doi.org/10.1080/00111619.2018.1427547|
|Abstract:||Although not a graphic novel, graphics are integrated into the fabric of Chad Harbach’s The Art Of Fielding (2011). By graphics, I mean the juxtaposing and mixing of alphabetical and pictographic designs, and I argue that the novel engages with the graphic imagination by including graphic dynamics to convey complex meanings through the conjunction of difference and identity in inscription and visual form. In a keyboard character or a letter there are, for instance, complicated dimensions in the relationship between the printed letter and its meaning, thus revealing a rhetoric whose graphic and textual nature allows meaning to emerge in ways that move beyond the utterances of speech and reflect the visual baseball sign system.|
|Rights:||This item has been embargoed for a period. During the embargo please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. This is an Accepted Manuscript of an article published by Taylor & Francis Group in Critique: Studies in Contemporary Fiction on 31 Jan 2018, available online: http://www.tandfonline.com/10.1080/00111619.2018.1427547|
|Harbach Critique.pdf||Fulltext - Accepted Version||276.47 kB||Adobe PDF||View/Open|
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