|Appears in Collections:||Literature and Languages Journal Articles|
|Peer Review Status:||Refereed|
|Title:||Reading the Signs: Chad Harbach’s Art of Fielding, Baseball, and the Graphic Imagination|
|Author(s):||Edwards, Justin D.|
|Citation:||Edwards JD (2018) Reading the Signs: Chad Harbach’s Art of Fielding, Baseball, and the Graphic Imagination. Critique: Studies in Contemporary Fiction, 59 (5), pp. 509-518. https://doi.org/10.1080/00111619.2018.1427547.|
|Abstract:||Although not a graphic novel, graphics are integrated into the fabric of Chad Harbach’s The Art Of Fielding (2011). By graphics, I mean the juxtaposing and mixing of alphabetical and pictographic designs, and I argue that the novel engages with the graphic imagination by including graphic dynamics to convey complex meanings through the conjunction of difference and identity in inscription and visual form. In a keyboard character or a letter there are, for instance, complicated dimensions in the relationship between the printed letter and its meaning, thus revealing a rhetoric whose graphic and textual nature allows meaning to emerge in ways that move beyond the utterances of speech and reflect the visual baseball sign system.|
|Rights:||This item has been embargoed for a period. During the embargo please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. This is an Accepted Manuscript of an article published by Taylor & Francis Group in Critique: Studies in Contemporary Fiction on 31 Jan 2018, available online: http://www.tandfonline.com/10.1080/00111619.2018.1427547|
|Harbach Critique.pdf||Fulltext - Accepted Version||276.47 kB||Adobe PDF||Under Embargo until 2019-07-31 Request a copy|
Note: If any of the files in this item are currently embargoed, you can request a copy directly from the author by clicking the padlock icon above. However, this facility is dependent on the depositor still being contactable at their original email address.
This item is protected by original copyright
Items in the Repository are protected by copyright, with all rights reserved, unless otherwise indicated.
If you believe that any material held in STORRE infringes copyright, please contact firstname.lastname@example.org providing details and we will remove the Work from public display in STORRE and investigate your claim.