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Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/26380
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dc.contributor.authorMartin-Jones, Daviden_UK
dc.contributor.authorFleming, Daviden_UK
dc.date.accessioned2017-12-20T01:42:24Z-
dc.date.available2017-12-20T01:42:24Z-
dc.date.issued2014en_UK
dc.identifier.urihttp://hdl.handle.net/1893/26380-
dc.description.abstractFirst paragraph: This special edition was prompted by three conferences, held in the PRC and Taiwan in 2012 and 2013, on the ramifications of the work of Gilles Deleuze for research across a transdisciplinary range of subjects. The three conferences - the Kaifeng International Deleuze Studies Conference at Henan University (2012), ‘Deleuze, Guattari and China’ at the University of Nottingham Ningbo (2012), and the First International Deleuze Studies in Asia Conference at Tamkang University (2013) - all included a significant discussion of Deleuze and Chinese films. Some of these contributions are collected in the pages that follow, along with several specifically commissioned additional works. The question to be answered by this introduction is how this assemblage came about; why would anyone think to study Chinese cinemas using a French philosopher like Deleuze? What can this approach add to our understanding of Chinese cinemas?en_UK
dc.language.isoenen_UK
dc.publisherTaylor and Francisen_UK
dc.relationMartin-Jones D & Fleming D (2014) Deleuze and Chinese Cinemas. Journal of Chinese Cinemas, 8 (2), pp. 93-98. https://doi.org/10.1080/17508061.2014.915559en_UK
dc.rightsThe publisher does not allow this work to be made publicly available in this Repository. Please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study.en_UK
dc.rights.urihttp://www.rioxx.net/licenses/under-embargo-all-rights-reserveden_UK
dc.titleDeleuze and Chinese Cinemasen_UK
dc.typeJournal Articleen_UK
dc.rights.embargodate2999-12-13en_UK
dc.rights.embargoreason[Deleuze and Chinese Cinemas.pdf] The publisher does not allow this work to be made publicly available in this Repository therefore there is an embargo on the full text of the work.en_UK
dc.identifier.doi10.1080/17508061.2014.915559en_UK
dc.citation.jtitleJournal of Chinese Cinemasen_UK
dc.citation.issn1750-8061en_UK
dc.citation.volume8en_UK
dc.citation.issue2en_UK
dc.citation.spage93en_UK
dc.citation.epage98en_UK
dc.citation.publicationstatusPublisheden_UK
dc.citation.peerreviewedRefereeden_UK
dc.type.statusVoR - Version of Recorden_UK
dc.author.emaildavid.fleming@stir.ac.uken_UK
dc.citation.date12/06/2014en_UK
dc.description.notesOutput Type: Editorialen_UK
dc.contributor.affiliationUniversity of Glasgowen_UK
dc.contributor.affiliationCommunications, Media and Cultureen_UK
dc.identifier.isiWOS:000338188100001en_UK
dc.identifier.scopusid2-s2.0-84924248396en_UK
dc.identifier.wtid509751en_UK
dc.contributor.orcid0000-0002-3176-0745en_UK
dcterms.dateAccepted2014-06-12en_UK
dc.date.filedepositdate2017-12-15en_UK
rioxxterms.apcnot requireden_UK
rioxxterms.typeJournal Article/Reviewen_UK
rioxxterms.versionVoRen_UK
local.rioxx.authorMartin-Jones, David|en_UK
local.rioxx.authorFleming, David|0000-0002-3176-0745en_UK
local.rioxx.projectInternal Project|University of Stirling|https://isni.org/isni/0000000122484331en_UK
local.rioxx.freetoreaddate2999-12-13en_UK
local.rioxx.licencehttp://www.rioxx.net/licenses/under-embargo-all-rights-reserved||en_UK
local.rioxx.filenameDeleuze and Chinese Cinemas.pdfen_UK
local.rioxx.filecount1en_UK
local.rioxx.source1750-8061en_UK
Appears in Collections:Communications, Media and Culture Journal Articles

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