|Appears in Collections:||Communications, Media and Culture Journal Articles|
|Peer Review Status:||Refereed|
|Title:||Voiding Cinema: Subjectivity beside itself, or unbecoming cinema in Enter the Void|
Enter the Void,
|Citation:||Brown W & Fleming D (2015) Voiding Cinema: Subjectivity beside itself, or unbecoming cinema in Enter the Void, Film-Philosophy, 19, pp. 124-145.|
|Abstract:||This essay examines Gaspar Noë's film, Enter the Void (2009), in light of the work of both Gilles Deleuze and Alain Badiou. Arguing that the film shows to viewers the 'void' that separates subjects from objects, the essay also considers Noë's film in the light of drug literature and the altered states induced by cinema and described by Anna Powell. Finally, the essay proposes that Enter the Void is a work of 'unbecoming' cinema, which in turn points to expansion of cinematic form through the use of digital technologies.|
|Rights:||This article is published under a CC-BY-NC licence https://creativecommons.org/licenses/ in Film-Philosophy, you may use, reproduce, disseminate or display the article provided you credit the author(s) of the Contribution and provide full citation.|
|WB_DHF_ETVoid_Film_Philosophy.pdf||245.51 kB||Adobe PDF||View/Open|
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