Please use this identifier to cite or link to this item:
http://hdl.handle.net/1893/26017
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Neely, Sarah | en_UK |
dc.date.accessioned | 2018-01-11T01:42:57Z | - |
dc.date.available | 2018-01-11T01:42:57Z | - |
dc.date.issued | 2017-12 | en_UK |
dc.identifier.uri | http://hdl.handle.net/1893/26017 | - |
dc.description.abstract | This article examines the situation of artists’ moving image works within existing archives and collections. With a specifc focus on the archiving of experimental flm in Scotland, the article makes use of existing research in the feld, while drawing from recent interviews with artists, curators and archivists in Scotland, Ireland and Norway. | en_UK |
dc.language.iso | en | en_UK |
dc.publisher | Intellect | en_UK |
dc.relation | Neely S (2017) Discoveries in the biscuit tin: The role of archives and collections in the history of artists’ moving image in Scotland. Moving Image Review and Art Journal, 6 (1-2), pp. 132-147. https://doi.org/10.1386/miraj.6.1-2.132_1 | en_UK |
dc.rights | This item has been embargoed for a period. During the embargo please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. | en_UK |
dc.subject | experimental film | en_UK |
dc.subject | artists’ moving image | en_UK |
dc.subject | amateur | en_UK |
dc.subject | archives | en_UK |
dc.subject | collections | en_UK |
dc.subject | Scotland | en_UK |
dc.subject | Margaret Tait | en_UK |
dc.title | Discoveries in the biscuit tin: The role of archives and collections in the history of artists’ moving image in Scotland | en_UK |
dc.type | Journal Article | en_UK |
dc.rights.embargodate | 2019-02-01 | en_UK |
dc.rights.embargoreason | [Discoveries in the biscuit tin.final edit.LR2SN copy1.pdf] Publisher requires embargo of 12 months after formal publication. | en_UK |
dc.identifier.doi | 10.1386/miraj.6.1-2.132_1 | en_UK |
dc.citation.jtitle | Moving Image Review and Art Journal | en_UK |
dc.citation.issn | 2045-6298 | en_UK |
dc.citation.volume | 6 | en_UK |
dc.citation.issue | 1-2 | en_UK |
dc.citation.spage | 132 | en_UK |
dc.citation.epage | 147 | en_UK |
dc.citation.publicationstatus | Published | en_UK |
dc.citation.peerreviewed | Refereed | en_UK |
dc.type.status | AM - Accepted Manuscript | en_UK |
dc.author.email | sarah.neely@stir.ac.uk | en_UK |
dc.contributor.affiliation | Communications, Media and Culture | en_UK |
dc.identifier.wtid | 516198 | en_UK |
dc.contributor.orcid | 0000-0001-8291-0638 | en_UK |
dc.date.accepted | 2017-10-10 | en_UK |
dcterms.dateAccepted | 2017-10-10 | en_UK |
dc.date.filedepositdate | 2017-10-23 | en_UK |
rioxxterms.apc | not required | en_UK |
rioxxterms.type | Journal Article/Review | en_UK |
rioxxterms.version | AM | en_UK |
local.rioxx.author | Neely, Sarah|0000-0001-8291-0638 | en_UK |
local.rioxx.project | Internal Project|University of Stirling|https://isni.org/isni/0000000122484331 | en_UK |
local.rioxx.freetoreaddate | 2019-02-01 | en_UK |
local.rioxx.licence | http://www.rioxx.net/licenses/under-embargo-all-rights-reserved||2019-01-31 | en_UK |
local.rioxx.licence | http://www.rioxx.net/licenses/all-rights-reserved|2019-02-01| | en_UK |
local.rioxx.filename | Discoveries in the biscuit tin.final edit.LR2SN copy1.pdf | en_UK |
local.rioxx.filecount | 1 | en_UK |
local.rioxx.source | 2045-6298 | en_UK |
Appears in Collections: | Communications, Media and Culture Journal Articles |
Files in This Item:
File | Description | Size | Format | |
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Discoveries in the biscuit tin.final edit.LR2SN copy1.pdf | Fulltext - Accepted Version | 771.62 kB | Adobe PDF | View/Open |
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