Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/25142
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dc.contributor.authorMurphy, Daviden_UK
dc.date.accessioned2017-04-20T23:36:14Z-
dc.date.available2017-04-20T23:36:14Z-
dc.date.issued2017-04en_UK
dc.identifier.urihttp://hdl.handle.net/1893/25142-
dc.description.abstractFirst paragraph: In April 1966, thousands of artists, musicians, performers, and writers from across Africa and its diaspora - including Duke Ellington, Wole Soyinka, and Aimé Césaire - gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts. Held against the backdrop of African decolonization and the push for Civil Rights in the United States, the event was widely hailed as the inaugural cultural gathering of the black world. The brainchild of Senegalese poet and president Léopold Sédar Senghor, the festival was organized by the Société Africaine de Culture, an offshoot of the Présence Africaine publishing house, piloted by Senghor's compatriot Alioune Diop.en_UK
dc.language.isoenen_UK
dc.publisherMIT Press for the Regents of the University of Californiaen_UK
dc.relationMurphy D (2017) Dakar 66: Chronicles of a pan-African festival: Musée du Quai Branly, Paris February 16–May 15, 2016. African Arts, 50 (1), pp. 80-82. https://doi.org/10.1162/AFAR_r_00333en_UK
dc.rightsThis item has been embargoed for a period. During the embargo please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. Publisher policy allows this work to be made available in this repository. Published in African Arts (2017) 50 (1), pp. 80-82 by MIT Press for the Regents of the University of California. The original publication is available at: https://doi.org/10.1162/AFAR_r_00333en_UK
dc.titleDakar 66: Chronicles of a pan-African festival: Musée du Quai Branly, Paris February 16–May 15, 2016en_UK
dc.typeJournal Articleen_UK
dc.rights.embargoreason[DM_Dakar66reviewAfricanArts_final.pdf] Publisher requires embargo of 6 months after formal publication.en_UK
dc.identifier.doi10.1162/AFAR_r_00333en_UK
dc.citation.jtitleAfrican Artsen_UK
dc.citation.issn1937-2108en_UK
dc.citation.issn0001-9933en_UK
dc.citation.volume50en_UK
dc.citation.issue1en_UK
dc.citation.spage80en_UK
dc.citation.epage82en_UK
dc.citation.publicationstatusPublisheden_UK
dc.citation.peerreviewedUnrefereeden_UK
dc.type.statusAM - Accepted Manuscripten_UK
dc.author.emaild.f.murphy@stir.ac.uken_UK
dc.citation.date03/02/2017en_UK
dc.description.notesOutput Type: Exhibition Reviewen_UK
dc.contributor.affiliationFrenchen_UK
dc.identifier.isiWOS:000394240700010en_UK
dc.identifier.scopusid2-s2.0-85011932637en_UK
dc.identifier.wtid534631en_UK
dc.contributor.orcid0000-0002-4450-6308en_UK
dc.date.accepted2016-09-01en_UK
dcterms.dateAccepted2016-09-01en_UK
dc.date.filedepositdate2017-03-13en_UK
rioxxterms.apcnot requireden_UK
rioxxterms.typeJournal Article/Reviewen_UK
rioxxterms.versionAMen_UK
local.rioxx.authorMurphy, David|0000-0002-4450-6308en_UK
local.rioxx.projectInternal Project|University of Stirling|https://isni.org/isni/0000000122484331en_UK
local.rioxx.freetoreaddate2017-09-04en_UK
local.rioxx.licencehttp://www.rioxx.net/licenses/under-embargo-all-rights-reserved||2017-09-03en_UK
local.rioxx.licencehttp://www.rioxx.net/licenses/all-rights-reserved|2017-09-04|en_UK
local.rioxx.filenameDM_Dakar66reviewAfricanArts_final.pdfen_UK
local.rioxx.filecount1en_UK
local.rioxx.source0001-9933en_UK
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