Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/24638
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dc.contributor.authorFerguson, Christine-
dc.date.accessioned2016-12-06T05:10:24Z-
dc.date.available2016-12-06T05:10:24Z-
dc.date.issued2011-
dc.identifier.urihttp://hdl.handle.net/1893/24638-
dc.description.abstractDrawing on a variety of steampunk visual, textual, and performance sources, this article traces the contentious and highly charged debate about the ideology and aesthetics of period style that circulates within this eclectic neo-Victorian subculture. Far from simply rejecting the historical nineteenth century in favour of a fantastical version, steampunk practice is animated by the problem of if, and how, the Victorian period’s social, economic, and political legacies should be signified. This discussion is nowhere more heated in the subculture’s internal micro-media than in discussions of the regalia and style of empire. In drawing attention to this compelling steampunk discourse on the ethics of representation, my paper calls for a new and more situated approach to competing steampunk practices and political identifications, one that might extend and replace the holistic assessments of the subculture that have predominated so far.en_UK
dc.language.isoen-
dc.publisherSwansea University-
dc.relationFerguson C (2011) Surface Tensions: Steampunk, Subculture, and the Ideology of Style, Neo-Victorian Studies, 4 (2), pp. 66-90.-
dc.rightsPublisher allows this work to be made available in this repository. Published in Neo-Victorian Stuies by Swansea University with the following policy: Our open access policy is restricted to educational and non-commercial use in accordance with Creative Commons: Attribution Non-Commercial No Derivatives license. NVS website users are permitted to view/read, download, print, copy and distribute NVS articles, creative pieces, reviews, and announcements free of charge for personal, educational, and academic fair use (e.g. critical citation in scholarly articles, classroom reading and discussion, etc.), as long as they give proper credit to Neo-Victorian Studies and individual contributors (where applicable) as the original publishers/creators. However, any activity involving commercial use and profit (such as the subsequent sale of NVS material or its reproduction via subscription/fee charging websites and printed/on-line publications) is strictly prohibited without prior permission from the NVS editors.-
dc.subjectcosplayen_UK
dc.subjectEmpireen_UK
dc.subjecthistorical referentialityen_UK
dc.subjectideologyen_UK
dc.subjectpost-subculturesen_UK
dc.subjectsteampunken_UK
dc.subjectsubcultureen_UK
dc.subjectVictorian perioden_UK
dc.titleSurface Tensions: Steampunk, Subculture, and the Ideology of Styleen_UK
dc.typeJournal Articleen_UK
dc.citation.jtitleNeo-Victorian Studies-
dc.citation.issn1757-9481-
dc.citation.volume4-
dc.citation.issue2-
dc.citation.spage66-
dc.citation.epage90-
dc.citation.publicationstatusPublished-
dc.citation.peerreviewedRefereed-
dc.type.statusPublisher version (final published refereed version)-
dc.identifier.urlhttp://www.neovictorianstudies.com/-
dc.author.emailchristine.ferguson@stir.ac.uk-
dc.contributor.affiliationEnglish Studies-
Appears in Collections:Literature and Languages Journal Articles

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