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Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/24537
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dc.contributor.authorIzod, Johnen_UK
dc.date.accessioned2016-11-11T22:29:19Z-
dc.date.available2016-11-11T22:29:19Z-
dc.date.issued2016en_UK
dc.identifier.urihttp://hdl.handle.net/1893/24537-
dc.language.isoenen_UK
dc.publisherOxford University Pressen_UK
dc.relationIzod J (2016) Katherine Spring, Saying it with Songs: Popular Music and the Coming of Sound to Hollywood Cinema and Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934. Review of: Saying it with Songs: popular music and the coming of sound to Hollywood cinema by Katherine Spring (Oxford: Oxford University Press, 2013, 229 pages). ISBN 978-0199842223; and After the Silents: Hollywood film music in the early sound era, 1926-1934 by Michael Slowik (New York, NY: Columbia UP, 2014, 384 pages). ISBN 9780231165822. Screen, 57 (3), pp. 379-383. https://doi.org/10.1093/screen/hjw035en_UK
dc.relation.isbasedonSaying it with Songs: popular music and the coming of sound to Hollywood cinema by Katherine Spring (Oxford: Oxford University Press, 2013, 229 pages). ISBN 978-0199842223; and After the Silents: Hollywood film music in the early sound era, 1926-1934 by Michael Slowik (New York, NY: Columbia UP, 2014, 384 pages). ISBN 9780231165822en_UK
dc.rightsThis article has been accepted for publication in Screen. Published by Oxford University Press.en_UK
dc.subjectMusic in early sound filmen_UK
dc.subjectHollywooden_UK
dc.titleKatherine Spring, Saying it with Songs: Popular Music and the Coming of Sound to Hollywood Cinema and Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934en_UK
dc.typeBook Reviewen_UK
dc.identifier.doi10.1093/screen/hjw035en_UK
dc.citation.jtitleScreenen_UK
dc.citation.issn1460-2474en_UK
dc.citation.issn0036-9543en_UK
dc.citation.volume57en_UK
dc.citation.issue3en_UK
dc.citation.spage379en_UK
dc.citation.epage383en_UK
dc.citation.publicationstatusPublisheden_UK
dc.type.statusAM - Accepted Manuscripten_UK
dc.contributor.funderArts and Humanities Research Councilen_UK
dc.author.emailk.j.izod@stir.ac.uken_UK
dc.citation.date31/10/2016en_UK
dc.description.notesOutput Type: Book Reviewen_UK
dc.contributor.affiliationCommunications, Media and Cultureen_UK
dc.identifier.wtid559496en_UK
dc.contributor.orcid0000-0001-5124-5698en_UK
dc.date.accepted2016-07-05en_UK
dcterms.dateAccepted2016-07-05en_UK
dc.date.filedepositdate2016-10-05en_UK
dc.relation.funderprojectBritish Silent Cinema and the Transition to Sounden_UK
dc.relation.funderrefAH/L013800/1en_UK
rioxxterms.typeJournal Article/Reviewen_UK
rioxxterms.versionAMen_UK
local.rioxx.authorIzod, John|0000-0001-5124-5698en_UK
local.rioxx.projectAH/L013800/1|Arts and Humanities Research Council|http://dx.doi.org/10.13039/501100000267en_UK
local.rioxx.freetoreaddate2016-11-11en_UK
local.rioxx.licencehttp://www.rioxx.net/licenses/all-rights-reserved|2016-11-11|en_UK
local.rioxx.filenames1-ln2062240095844769-1939656818Hwf1865512018IdV193297384920622400PDF_HI0001.pdfen_UK
local.rioxx.filecount1en_UK
local.rioxx.source0036-9543en_UK
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