Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/23408
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dc.contributor.authorMurphy, David-
dc.contributor.editorBisschoff, L-
dc.contributor.editorMurphy, D-
dc.date.accessioned2016-06-29T07:12:56Z-
dc.date.issued2014-11-01-
dc.identifier.urihttp://hdl.handle.net/1893/23408-
dc.description.abstractFirst paragraph: The pioneering Senegalese director Ousmane Sembene has long been fêted as the ‘father of Africa cinema’ and with good reason: his short film Borom Sarret (Senegal/France, 1962) is generally considered the first work by a sub-Saharan African to have been filmed in Africa itself; La Noire de/Black Girl (Senegal/France, 1966) has been celebrated as the first feature film by a sub-Saharan African; while Mandabi/The Money Order (Senegal/France, 1968) was the first feature film in an indigenous African language.However, the paternity of African cinema was not attributed to Sembene solely because of this series of firsts but rather because his work was retrospectively seen to have established an aesthetic and thematic template that would go on to dominate the first two decades of Francophone African filmmaking. The primary aim of this chapter is to challenge the way in which Sembene’s films have at times been used to construct a somewhat truncated version of West African film history. This approach is not designed to question the significance of Sembene’s pioneering work—on the contrary, I will argue that the richness and variety of his filmmaking has often been overlooked—but rather to understand better his aesthetic and thematic contributions within the wider context of some of the other films that were being produced in Francophone West Africa during this perioden_UK
dc.language.isoen-
dc.publisherLegenda-
dc.relationMurphy D (2014) Francophone West African Cinema, 1955-69: False starts and new beginnings. In: Bisschoff L, Murphy D (ed.). Africa’s Lost Classics: New Histories of African Cinema . Moving Image, 5, Oxford: Legenda, pp. 50-62.-
dc.relation.ispartofseriesMoving Image, 5-
dc.rightsThe publisher does not allow this work to be made publicly available in this Repository. Please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study.-
dc.titleFrancophone West African Cinema, 1955-69: False starts and new beginningsen_UK
dc.typePart of book or chapter of booken_UK
dc.rights.embargodate2999-12-31T00:00:00Z-
dc.rights.embargoreasonThe publisher does not allow this work to be made publicly available in this Repository therefore there is an embargo on the full text of the work.-
dc.citation.spage50-
dc.citation.epage62-
dc.citation.publicationstatusPublished-
dc.type.statusBook Chapter: author post-print (pre-copy editing)-
dc.identifier.urlhttp://www.legendabooks.com/titles/isbn/9781907975516.html-
dc.author.emaild.f.murphy@stir.ac.uk-
dc.citation.btitleAfrica’s Lost Classics: New Histories of African Cinema-
dc.citation.isbn978-1-907975-51-6-
dc.publisher.addressOxford-
dc.contributor.affiliationSLCR: French-
dc.rights.embargoterms2999-12-31-
dc.rights.embargoliftdate2999-12-31-
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