Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/22582
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dc.contributor.authorRolinson, Daviden_UK
dc.date.accessioned2016-06-08T00:42:43Z-
dc.date.available2016-06-08T00:42:43Z-
dc.date.issued2015-11en_UK
dc.identifier.urihttp://hdl.handle.net/1893/22582-
dc.description.abstractThis article examines the ways in which adult education seriesFor the Love of Albert(1977) represents and advises people living on benefits by hybridising different factual and fictional forms and embracing the potential of the television studio. Interweaving genres – including light entertainment, Ken Campbell Road Show routines, plays by Alan Plater and audience discussion formats – the programme's televisuality and theatricality construct a potential community space. The programme's mixed modes provide a platform for testimony and interaction that helps it to challenge discourses on welfare and the knowledge claims of factual modes, opening up issues in documentary hybridisation.en_UK
dc.language.isoenen_UK
dc.publisherSAGEen_UK
dc.relationRolinson D (2015) Studio as hybridised community space: For the Love of Albert. Critical Studies in Television, 10 (3), pp. 5-22. http://cst.sagepub.com/content/10/3/5.abstract; https://doi.org/10.7227/CST.10.3.2en_UK
dc.rightsThe publisher does not allow this work to be made publicly available in this Repository. Please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study.en_UK
dc.subjectdocumentary hybridsen_UK
dc.subjecttalk showsen_UK
dc.subjectcommunity dramaen_UK
dc.subjectmediated constructionen_UK
dc.subjectwelfareen_UK
dc.titleStudio as hybridised community space: For the Love of Alberten_UK
dc.typeJournal Articleen_UK
dc.rights.embargodate2999-12-31en_UK
dc.rights.embargoreason[Critical Studies in Television-2015-Rolinson-5-22.pdf] The publisher does not allow this work to be made publicly available in this Repository therefore there is an embargo on the full text of the work.en_UK
dc.identifier.doi10.7227/CST.10.3.2en_UK
dc.citation.jtitleCritical Studies in Televisionen_UK
dc.citation.issn1749-6039en_UK
dc.citation.issn1749-6020en_UK
dc.citation.volume10en_UK
dc.citation.issue3en_UK
dc.citation.spage5en_UK
dc.citation.epage22en_UK
dc.citation.publicationstatusPublisheden_UK
dc.citation.peerreviewedRefereeden_UK
dc.type.statusVoR - Version of Recorden_UK
dc.identifier.urlhttp://cst.sagepub.com/content/10/3/5.abstracten_UK
dc.author.emaildavid.rolinson@stir.ac.uken_UK
dc.contributor.affiliationCommunications, Media and Cultureen_UK
dc.identifier.isiWOS:000368903300002en_UK
dc.identifier.scopusid2-s2.0-85018828094en_UK
dc.identifier.wtid597056en_UK
dc.contributor.orcid0000-0003-3063-4592en_UK
dc.date.filedepositdate2015-12-04en_UK
Appears in Collections:Communications, Media and Culture Journal Articles

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