Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/21610
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dc.contributor.authorMassie, Eric-
dc.date.accessioned2015-03-19T09:52:16Z-
dc.date.available2015-03-19T09:52:16Z-
dc.date.issued2002-
dc.identifier.urihttp://hdl.handle.net/1893/21610-
dc.description.abstractThis thesis argues that Robert Louis Stevenson's South Seas writings locate him alongside Joseph Conrad on the 'strategic fault line' described by the Marxist critic Fredric Jameson that delineates the interstitial area between nineteenth-century adventure fiction and early Modernism. Stevenson, like Conrad, mounts an attack on the assumptions of the grand narrative of imperialism and, in texts such as 'The Beach of Falesa' and The Ebb Tide, offers late-Victorian readers a critical view of the workings of Empire. The present study seeks to analyse the common interests of two important writers as they adopt innovative literary methodologies within, and in response to, the context of changing perceptions of the effects of European influence upon the colonial subject.en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Stirlingen_GB
dc.subject.lcshStevenson, Robert Louis, 1850-1894 Criticism and interpretationen_GB
dc.subject.lcshConrad, Joseph, 1857-1924 Criticism and interpretationen_GB
dc.subject.lcshLiterature, Modern 19th centuryen_GB
dc.subject.lcshLiterature, Modern 20th centuryen_GB
dc.titleStevenson, Conrad and the proto-modernist novelen_GB
dc.typeThesis or Dissertationen_GB
dc.type.qualificationlevelDoctoralen_GB
dc.type.qualificationnameDoctor of Philosophyen_GB
Appears in Collections:eTheses from Faculty of Arts and Humanities legacy departments

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