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Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/20134
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dc.contributor.authorMartin-Jones, Daviden_UK
dc.contributor.authorMontañez, María Soledaden_UK
dc.date.accessioned2014-05-09T23:30:30Z-
dc.date.available2014-05-09T23:30:30Zen_UK
dc.date.issued2013-09en_UK
dc.identifier.urihttp://hdl.handle.net/1893/20134-
dc.description.abstractGlobal markets like the festival circuit affect the ways in which small cinemas represent the nation. In the 2000s, new Uruguayan cinema has produced several fi lms which background their "Uruguayanness" to broaden international appeal. In contrast to existing debates surrounding auto-ethnography, this is a process of auto-erasure through which Uruguay "disappears." This aesthetic strategy refl ects the complex politics surrounding production and reception, which must be negotiated by fi lmmakers in small nations who are reaching out to global markets.en_UK
dc.language.isoenen_UK
dc.publisherUniversity of Texas Pressen_UK
dc.relationMartin-Jones D & Montañez MS (2013) Uruguay Disappears: Small cinemas, Control Z Films and the aesthetics and politics of auto-erasure. Cinema Journal, 53 (1), pp. 26-51. https://doi.org/10.1353/cj.2013.0064en_UK
dc.rightsThe publisher has not yet responded to our queries therefore this work cannot be made publicly available in this Repository. Please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study.en_UK
dc.rights.urihttp://www.rioxx.net/licenses/under-embargo-all-rights-reserveden_UK
dc.subjectNew Uruguayan Cinemaen_UK
dc.subjectLatin America Cinemaen_UK
dc.subjectSmall cinemasen_UK
dc.subjectFilm Festivalsen_UK
dc.titleUruguay Disappears: Small cinemas, Control Z Films and the aesthetics and politics of auto-erasureen_UK
dc.typeJournal Articleen_UK
dc.rights.embargodate2999-12-31en_UK
dc.rights.embargoreason[Cinema Journal 2013.pdf] The publisher has not yet responded to our queries. This work cannot be made publicly available in this Repository therefore there is an embargo on the full text of the work.en_UK
dc.identifier.doi10.1353/cj.2013.0064en_UK
dc.citation.jtitleCinema Journalen_UK
dc.citation.issn0009-7101en_UK
dc.citation.volume53en_UK
dc.citation.issue1en_UK
dc.citation.spage26en_UK
dc.citation.epage51en_UK
dc.citation.publicationstatusPublisheden_UK
dc.citation.peerreviewedRefereeden_UK
dc.type.statusVoR - Version of Recorden_UK
dc.author.emailmaria.montanez@stir.ac.uken_UK
dc.contributor.affiliationUniversity of Glasgowen_UK
dc.contributor.affiliationSpanishen_UK
dc.identifier.wtid716215en_UK
dc.date.accepted2013-11-01en_UK
dcterms.dateAccepted2013-11-01en_UK
dc.date.filedepositdate2014-05-09en_UK
rioxxterms.typeJournal Article/Reviewen_UK
rioxxterms.versionVoRen_UK
local.rioxx.authorMartin-Jones, David|en_UK
local.rioxx.authorMontañez, María Soledad|en_UK
local.rioxx.projectInternal Project|University of Stirling|https://isni.org/isni/0000000122484331en_UK
local.rioxx.freetoreaddate2999-12-31en_UK
local.rioxx.licencehttp://www.rioxx.net/licenses/under-embargo-all-rights-reserved||en_UK
local.rioxx.filenameCinema Journal 2013.pdfen_UK
local.rioxx.filecount1en_UK
local.rioxx.source0009-7101en_UK
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