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dc.contributor.authorGilbert, Suzanneen_UK
dc.contributor.editorNorquay, Gen_UK
dc.description.abstractPresenting a vexing problem for female aspirations to authorship, women and orality have been so close aligned as to be nearly indistinguishable,configured in a context which emphasises the national dimension to their creativity. This chapter traces the ways in which Scottish women have been associated with orality, with particular emphasis on the ballad, where authorship, gender, and nation are closely joined.en_UK
dc.publisherEdinburgh University Pressen_UK
dc.relationGilbert S (2012) Orality and the Ballad Tradition. In: Norquay G (ed.) The Edinburgh Companion to Scottish Women's Writing. Edinburgh Companions to Scottish Literature. Edinburgh: Edinburgh University Press, pp. 35-43.
dc.relation.ispartofseriesEdinburgh Companions to Scottish Literatureen_UK
dc.rightsThe publisher has granted permission for use of this work in this Repository. Published in The Edinburgh Companion to Scottish Women's Writing by Edinburgh University Press:
dc.subjectoral traditionen_UK
dc.subjectScottish literatureen_UK
dc.subjectwomen's writingen_UK
dc.titleOrality and the Ballad Traditionen_UK
dc.typePart of book or chapter of booken_UK
dc.type.statusVoR - Version of Recorden_UK
dc.citation.btitleThe Edinburgh Companion to Scottish Women's Writingen_UK
dc.contributor.affiliationEnglish Studiesen_UK
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