|Appears in Collections:||Communications, Media and Culture Journal Articles|
|Peer Review Status:||Refereed|
|Title:||The rough guide to critics: musicians discuss the role of the music press|
|Keywords:||Jazz History and criticism|
Rock music History and criticism
|Citation:||Brennan M (2006) The rough guide to critics: musicians discuss the role of the music press. Popular Music, 25 (2), pp. 221-234. https://doi.org/10.1017/S0261143006000870|
|Abstract:||This article explores the relationship between musicians and the music press from the musicians' point of view, based on a collection of recent interviews with musicians working in the pop and jazz fields. It will expose some of the concrete effects of the music press using examples from the everyday experiences of musicians, which include the influence of the press in record retail, genre labelling, and creating industry buzz. But while musicians may have a pragmatic understanding of the role of music criticism, their perspectives are emotionally heated in direct proportion to the influence the press holds over their own livelihoods. The interests of the working music critic often conflict with the interests of the working musician, and this article will conclude with a discussion of how the practical conflict of interests between musicians and critics is reflected in ideological differences between the two groups.|
|Rights:||Published in Popular Music. Copyright: Cambridge University Press.; Popular Music, Volume 25, Issue 2, May 2006, pp. 221 - 234, published by Cambridge University Press. Copyright © Cambridge University Press 2006.; http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=434753|
|The rough guide to critics.pdf||Fulltext - Published Version||102.02 kB||Adobe PDF||View/Open|
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